| Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:142836416:2709 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:142836416:2709?format=raw |
LEADER: 02709cam a2200385 a 4500
001 7888179
005 20221201042401.0
008 091218s2010 nyua b 001 0 eng
010 $a 2009050487
020 $a9780415871167
020 $a0415871166
020 $a9780203851241 (ebk.)
020 $a0203851242 (ebk.)
024 $a40018099694
035 $a(OCoLC)ocn495995806
035 $a(OCoLC)495995806
035 $a(NNC)7888179
035 $a7888179
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aN7630$b.N45 2010
082 00 $a704.9/42408996$222
100 1 $aNelson, Charmaine.$0http://id.loc.gov/authorities/names/no00089311
245 10 $aRepresenting the Black female subject in Western art /$cCharmaine A. Nelson.
260 $aNew York, NY :$bRoutledge,$c2010.
300 $axii, 245 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aRoutledge studies on African and Black diaspora ;$v2
504 $aIncludes bibliographical references and index.
505 00 $gPART I.$tFrom Girls to Women: Locating Black Female Subjects in Western Art --$g1.$tThrough An-Other's Eyes: White Canadian Artists---Black Female Subjects --$g2.$tRacing Childhood: Representations of Black Girls in Canadian Art --$gPART II.$tSlavery and Portraiture: Agency, Resistance and Art as Colonial Discourse --$g3.$tSlavery, Portraiture and the Colonial Limits of Canadian Art History --$g4.$tThe Fruits of Resistance: Reading Portrait of a Negro Slave on the Sly --$g5.$tTying the Knot: Black Female Slave Dress in Canada --$gPART III.$tThe Nude and the Naked: Black Women, White Ideals and the Racialization of Sexuality --$g6.$tColoured Nude: Fetishization, Disguise, Dichotomy --$g7.$tThe "Hottentot Venus" in Canada: Modernism, Censorship and the Racial Limits of Female Sexuality --$gPART IV.$tFrom White Marble to Coloured Stone: Aesthetics, Materiality and Degrees of Blackness --$g8.$tWhite Marble, Black Bodies and the Fear of the Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical Sculpture --$g9.$tVenus Africaine: Race, Beauty and African-ness --$g10.$tAllegory, Race and the Four Continents: Jean-Baptiste Carpeaux's Les quatre parties du monde soutenant la sphere celeste --$tConclusion: Whiteness as Collective Narcissism, Towards a New Vision.
650 0 $aWomen, Black, in art.$0http://id.loc.gov/authorities/subjects/sh99001503
650 0 $aRace in art.$0http://id.loc.gov/authorities/subjects/sh2006007938
830 0 $aRoutledge studies on African and Black diaspora ;$v2.$0http://id.loc.gov/authorities/names/no2010008013
852 80 $bfax$hN7625$iN33
852 00 $bbar$hN7630$i.N45 2010