MARC Record from marc_columbia

LEADER: 03252cam a22003614a 4500
001 7612693
005 20191212145956.0
008 090728s2010 nyua b 001 0 eng
010 $a 2009029400
020 $a9780415992404
020 $a0415992400
024 $a40017509616
035 $a(OCoLC)ocn428731329
035 $a(OCoLC)428731329
035 $a(NNC)7612693
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $aa------
050 00 $aPR3109.A8$bR4 2010
082 00 $a822.3/3$222
245 00 $aRe-playing Shakespeare in Asia /$cedited by Poonam Trivedi and Minami Ryuta.
260 $aNew York :$bRoutledge,$c2010.
300 $ax, 343 p. :$bill. ;$c24 cm.
490 1 $aRoutledge studies in Shakespeare ;$v2
504 $aIncludes bibliographical references and indexes.
505 00 $tRe-playing Shakespeare in Asia: An Introduction /$rPoonam Trivedi --$gPt. I.$tRe-playing Interculturality --$g1.$tOther Shakespeares in Asia: An Overview /$rJames Brandon --$g2.$tAsian Theatres, Mnouchkine, and Shakespeare: The Search for a Theatrical Form /$rBrian Singleton --$g3.$tShakespeare and the Indian Image(nary): Embod(y)ment in Versions of A Midsummer Night's Dream /$rPoonam Trivedi --$g4.$t"What, has this thing appear'd again tonight?": Re-playing Shakespeare on the Japanese Stage /$rMinami Ryuta --$gPt. II.$tRe-playing Textuality/Theatricality --$g5.$tFooling with Lear: A Performance History of Suzuki Tadashi's King Lear (1984-2006) /$rIan Carruthers --$g6.$tSix People in Search of "To be or not to be ... ": Hamlet's Soliloquy in Six Chinese Productions and the Metamorphosis of Shakespeare Performance on the Chinese Stage /$rLi Ruru --$g7.$tIs This Shakespeare? Inoue Hidenori's Adaptations of Shakespeare /$rYoshihara Yukari --$g8.$tFrom Proscenium to Paddy Fields: Utpal Dutt's Shakespeare Jatra /$rTapati Gupta --$gPt. III.$tRe-playing Ethnicity, Identity, and Postcoloniality --$g9.$tAnd Never the Twain Shall Meet? Shakespeare and Philippine Performance Traditions /$rJudy Celineick --$g10.$tThe Stages 'Occupied by Shakespeare': Intercultural Performances and the Search for 'Korean-ness' in Postcolonial Korea /$rKim Moran --$g11.$tShakespeare in the Shadows: Cultural Alienation, Politics, and Eddin Khoo's Shadow Puppet Adaptation of Macbeth /$rNurul Farhana Low Adbullah and C. S. Lim --$g12.$tThe Peripheral Body of Empire: Shakespearean Adaptations and Taiwan's Geopolitics /$rWu Peichen --$g13.$t"No World without Verona Walls"? Shakespeare in the Provincial Cultural Marketplace /$rAlexander C. Y. Huang --$gPt. IV.$tRe-playing Genre and Gender --$g14.$tDancing to Shakespeare: Crossing Genre and Gender in the Tragedies /$rParomita Chakravarti and Swati Ganguly --$g15.$t"Living in a Different House": A Gambuh Macbeth in Bali /$rJohn Emigh --$g16.$t"O Heavy Lightness, O Serious Vanity": Camping Romeo and Juliet in Postcolonial Taiwan /$rBi-Qi Beatrice Lei.
600 10 $aShakespeare, William,$d1564-1616$xStage history$zAsia.
600 10 $aShakespeare, William,$d1564-1616$xAppreciation$zAsia.
650 0 $aTheater$zAsia.
650 0 $aEast and West.
700 1 $aTrivedi, Poonam,$d1949-
700 1 $aMinami, Ryuta.
830 0 $aRoutledge studies in Shakespeare ;$v2.
852 00 $bglx$hPR3109.A8$iR4 2010