Record ID | marc_columbia/Columbia-extract-20221130-016.mrc:37432232:2841 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-016.mrc:37432232:2841?format=raw |
LEADER: 02841cam a2200385Ia 4500
001 7632691
005 20221201014013.0
008 100111t20102010nyuac 000 0aeng d
020 $a9780066211312 (cloth)
020 $a006621131X (cloth)
024 $a99936553184
035 $a(OCoLC)ocn496864395
035 $a(OCoLC)496864395
035 $a(NNC)7632691
035 $a7632691
040 $aSFR$cSFR$dMOF$dEINCP$dFIR$dBWX$dNhCcYBP$dOrLoB-B
043 $an-us---
050 4 $aML420.S672$bA3 2010
082 04 $a782.42166092
100 1 $aSmith, Patti.$0http://id.loc.gov/authorities/names/n84095418
245 10 $aJust kids /$cPatti Smith.
250 $a1st ed.
260 $aNew York :$bEcco,$c[2010], ©2010.
300 $axii, 278 pages :$billustrations, portraits ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tMonday's Children -- $tJust Kids -- $tHotel Chelsea -- $tSeparate Ways Together -- $tHolding Hands With God.
520 1 $a"It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation." "Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous - the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years." "Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame."--BOOK JACKET.
600 10 $aSmith, Patti.$0http://id.loc.gov/authorities/names/n84095418
600 10 $aMapplethorpe, Robert.$0http://id.loc.gov/authorities/names/n82131041
650 0 $aWomen rock musicians$zUnited States$vBiography.
650 0 $aPhotographers$zUnited States$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008109265
651 0 $aNew York (N.Y.)$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008108454
852 00 $bmus$hML420.S672$iS65 2010g
852 00 $bmil$hML420.S672$iA3 2010