MARC Record from marc_columbia

LEADER: 03333cam a2200457 a 4500
001 7723562
005 20221201023545.0
008 090722s2010 nyua b 001 0 eng
010 $a 2009030144
020 $a9780521764506 (hbk.)
020 $a0521764505 (hbk.)
024 $a40017667264
035 $a(OCoLC)ocn428895734
035 $a(OCoLC)428895734
035 $a(NNC)7723562
035 $a7723562
040 $aDLC$cDLC$dYDX$dUKM$dYDXCP$dOrLoB-B
043 $ae-gr---
050 00 $aNB1296.3$b.D56 2010
082 00 $a733/.3$222
100 1 $aDillon, Sheila.$0http://id.loc.gov/authorities/names/n2005044282
245 14 $aThe female portrait statue in the Greek world /$cSheila Dillon.
260 $aNew York :$bCambridge University Press,$c2010.
300 $axvi, 254 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and indexes.
505 00 $gIntroduction.$tFinding the female portrait in Greek art -- $gCh. 1.$tPortrait honors for women in late classical and Hellenistic Greece -- $gCh. 2.$tClothes and the woman : statue formats and portrait costumes -- $gCh. 3.$tThe female portrait face -- $gCh. 4.$tThe "not portrait" style of female portraiture in the Roman period -- $gApp. 1.$tFemale portrait statues in fourth-century Athens -- $gApp. 2.$tFemale portrait statues on independent Delos (before 166) -- $gApp. 3.$tFemale portrait statues on Athenian-controlled Delos (post-166) -- $gApp. 4.$tFemale portrait statues in Athens, third-first centuries BCE.
520 1 $a"In this book, Sheila Dillon offers the first detailed analysis of the full range of evidence for female portrait statues in Greek art. A major component of Greek sculptural production, particularly in the Hellenistic period, female portrait statues are mostly missing from our histories of Greek portraiture. Whereas male portraits tend to stress their subject's distinctiveness through physiognomic individuality, portraits of women are more visually homogeneous. In defining their subjects according to normative ideals of beauty rather than notions of corporeal individuality, Dillon argues that Greek portraits of women work differently than those of men and must be approached with different expectations. She examines the historical phenomenon of the commemoration of women in portrait statues from the fourth century to the first century BCE and traces the continued idealizing, "not portrait" style into the Roman period at a select number of sites."--BOOK JACKET.
650 0 $aPortrait sculpture, Ancient$zGreece.
650 0 $aPortrait sculpture, Greek.$0http://id.loc.gov/authorities/subjects/sh85105174
650 0 $aWomen$zGreece$vPortraits.
650 0 $aWomen$zGreece$xHistory$yTo 1500.
650 0 $aWomen in art.$0http://id.loc.gov/authorities/subjects/sh85147554
650 0 $aHuman figure in art$xHistory$yTo 1500.
650 0 $aFeminine beauty (Aesthetics)$zGreece$xHistory$yTo 1500.
650 0 $aStatues$zGreece$xHistory$yTo 1500.
651 0 $aGreece$xHistory$yTo 146 B.C.$0http://id.loc.gov/authorities/subjects/sh85057074
651 0 $aGreece$xHistory$y146 B.C.-323 A.D.$0http://id.loc.gov/authorities/subjects/sh85057092
852 80 $bfax$hNB160$iD5835
852 00 $bbar$hNB1296.3$i.D56 2010