| Record ID | marc_columbia/Columbia-extract-20221130-017.mrc:19682808:2587 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-017.mrc:19682808:2587?format=raw |
LEADER: 02587cam a2200517Ia 4500
001 8101730
005 20221201054330.0
008 100511s2010 enka c 000 0 eng d
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016 7 $a015551806$2Uk
020 $a9781855144262
020 $a1855144263
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040 $aERASA$cERASA$dOCLCQ$dUKM$dBWK$dCDX$dU3G$dNNC
050 4 $aND237.K33$bA4 2010
050 4 $aN6490
082 04 $a700.411.2
245 00 $aAlex Katz portraits /$cSarah Howgate, Sandy Nairne, Barry Schwabsky.
260 $aLondon :$bNational Portrait Gallery Publ.,$c2010.
300 $a1 volume (various paging) :$bcolor illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
520 8 $aAlex Katz (b.1927) is one of the most prominent artists of his generation. Often described as a 'painter's painter', his influence is widely felt with many of today's most successful painters from Peter Doig to Elizabeth Peyton acknowledging their debt to his work. Setting his work in the context of the National Portrait Gallery, London creates a new opportunity to consider Katz's work alongside other portrait painters of the 20th and 21st centuries. Katz's distinctive portraits are informed by his interest in billboards and his familiarity with the process of physical enlargement. His minimal aesthetic, with pristine flat surfaces and economy of line, was developed in the 1950s and was at the time both an anticipation of Pop Art and a reaction to the prevalence of Abstract Expressionism, though he chose to work independently of both movements.
600 10 $aKatz, Alex,$d1927-$vExhibitions.
650 0 $aHuman figure in art$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008105872
700 1 $aHowgate, Sarah.$0http://id.loc.gov/authorities/names/no2006032779
700 1 $aNairne, Sandy.$0http://id.loc.gov/authorities/names/n83012102
700 1 $aSchwabsky, Barry.$0http://id.loc.gov/authorities/names/n80017406
852 80 $bfax$hND239 K159$iAL258