MARC Record from marc_columbia

LEADER: 03639cam a2200409 a 4500
001 8144477
005 20221201055203.0
008 100428s2010 mduag b 001 0 eng
010 $a 2010018177
020 $a9780810877115 (pbk. : alk. paper)
020 $a0810877112 (pbk. : alk. paper)
024 $a40018482165
035 $a(OCoLC)ocn611965816
035 $a(OCoLC)611965816
035 $a(NNC)8144477
035 $a8144477
040 $aDLC$cDLC$dYDX$dYDXCP$dNNC$dOrLoB-B
050 00 $aML410.R82$bS355 2010
082 00 $a781.5/42$222
100 1 $aSciannameo, Franco.$0http://id.loc.gov/authorities/names/n82056915
245 10 $aNino Rota's The godfather trilogy :$ba film score guide /$cFranco Sciannameo.
246 30 $aGodfather trilogy
260 $aLanham, Md. :$bScarecrow Press,$c2010.
300 $axviii, 193 pages :$billustrations, music ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aScarecrow film score guides ;$vno. 9
504 $aIncludes bibliographical references and index.
505 00 $tEditor's Foreword /$rKate Daubney -- $gChapter 1.$tNino Rota at the Heart of the Novecento: A Problem Solved -- $gChapter 2.$tMusical Styles In and Out of Diegesis -- $gChapter 3.$tEthnicity and Literary Adaptation in The Godfather Trilogy -- $gChapter 4.$tThe Sound of The Godfather Trilogy: Family Choral Scenes -- $gChapter 5.$tThe Sound of The Godfather Trilogy: Tales of Love and Death.
520 1 $a"Released in 1972, 1974, and 1990, Francis Ford Coppola's three-part saga is one of the greatest artistic accomplishments---and financial successes---in the history of Hollywood cinema. In Nine Rola's The Godfather Trilogy: A Film Score Guide. Franco Sciannameo recounts the events the led to the realization of the three films and studies their music. Sciannameo examines The Godfather Trilogy from a variety of perspectives, with a special focus on the music Rota composed to tie together appronimately nine hours of cinematic narrative. Delving into Rota's formation as a musician amid the cultural climate established by Italin Fascism. the author explores Rota's initial stylistic adherence to the Mussolini-dietated or-inspired concept of hali-anness and then his return to a more congenial 19th-century formulaie vocabulary." "Sciannameo considers Rota's involvement with cineam and his collaboration with many celebrated directors, such as Luchino Visconti, Federico Fellini, Franco Zeflirclli. and Coppola, and deals with the sensitive issues of cultural analysis vis-a-vis the Mafia as a concept embedded within the Italian-American community, He also describes the sound of the Godfather films. analyzing the muscial subtests underscoring a group of pivotal scenes, Relying substantially on Rota's notes. which are discussed here for the first time, Sciannameo reveals the composer's interpretation of Coppola's cinematic narrative and the scoring methodologies Rota employed."--BOOK JACKET.
600 10 $aRota, Nino,$d1911-1979.$tMotion picture music.$0http://id.loc.gov/authorities/names/n2010026847
650 0 $aMotion picture music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108005
630 00 $aGodfather (Motion picture)$0http://id.loc.gov/authorities/names/n90677847
630 00 $aGodfather, part II (Motion picture)$0http://id.loc.gov/authorities/names/n90678298
630 00 $aGodfather, part III (Motion picture)$0http://id.loc.gov/authorities/names/n92093284
830 0 $aScarecrow film score guides ;$vno. 9.$0http://id.loc.gov/authorities/names/n2003078246
852 00 $boff,mus$hML410.R82$iS355 2010