MARC Record from marc_columbia

LEADER: 01871cam a2200361 a 4500
001 8206168
005 20221201060253.0
008 100309s2010 xxka 000 0 eng d
010 $a 2010924358
020 $a9781409406617
020 $a140940661X
024 $a99940110004
035 $a(OCoLC)613564243
035 $a(DLC) 2010924358
035 $a(NNC)8206168
035 $a8206168
040 $aERASA$beng$cERASA$dDLC$dUKM$dYDXCP$dBWK$dNLGGC$dTDF$dCDX$dPIT
042 $alccopycat
050 00 $aML1402$b.F34 2010
082 04 $a780
084 $a24.61$2bcl
100 1 $aFallows, David.$0http://id.loc.gov/authorities/names/n82132930
245 10 $aComposers and their songs, 1400-1521 /$cDavid Fallows.
260 $aFarnham ;$aBurlington, VT :$bAshgate,$c2010.
300 $a1 volume :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aVariorum Collected Studies Series ;$vCS958
520 8 $aThis second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment.
504 $aIncludes bibliographical references and indexes.
650 0 $aVocal music$y15th century$xHistory and criticism.
830 0 $aCollected studies ;$vCS958.$0http://id.loc.gov/authorities/names/n42025926
852 00 $boff,mus$hML1402$i.F34 2010