| Record ID | marc_columbia/Columbia-extract-20221130-017.mrc:54755527:1690 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-017.mrc:54755527:1690?format=raw |
LEADER: 01690cam a2200349 a 4500
001 8294397
005 20221201062511.0
008 100628s2010 enka b 001 0 eng
010 $a 2010027524
020 $a9780230230491
020 $a0230230490
024 $a40018696734
035 $a(OCoLC)ocn647976796
035 $a(OCoLC)647976796
035 $a(NNC)8294397
035 $a8294397
040 $aDLC$cDLC$dYDX$dYDXCP$dBWK
043 $an-us---
050 00 $aPN1995.9.M86$bK48 2010
082 00 $a791.43/6$222
100 1 $aKessler, Kelly,$d1972-$0http://id.loc.gov/authorities/names/n2010041871
245 10 $aDestabilizing the Hollywood musical :$bmusic, masculinity and mayhem /$cKelly Kessler.
260 $aBasingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2010.
300 $axiii, 256 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : The musical and masculinity take a turn for the ambivalent -- Nothing is comin' up roses : the desertion of narrative utopia -- On a clear day you can see the cracks in the scenery: visual reflexivity and realism trump nostalgic idealism -- Wanna sing and dance? these new guys are ambivalent about it -- The new guard's musical masculinity -- Epilogue : I could go on singing.
650 0 $aMusical films$zUnited States$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2010102484
650 0 $aMasculinity in motion pictures.$0http://id.loc.gov/authorities/subjects/sh2002007718
852 00 $bglx$hPN1995.9.M86$iK48 2010
852 00 $bbar$hPN1995.9.M86$iK48 2010