Record ID | marc_columbia/Columbia-extract-20221130-017.mrc:72026769:3390 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-017.mrc:72026769:3390?format=raw |
LEADER: 03390cam a2200385 a 4500
001 8408664
005 20221201062326.0
008 100504s2010 nyua b 001 0 eng
010 $a 2010018549
020 $a9781845457495 (alk. paper)
020 $a1845457498 (alk. paper)
024 $a40018848131
035 $a(OCoLC)ocn502029699
035 $a(OCoLC)502029699
035 $a(NNC)8408664
035 $a8408664
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP
043 $ae-fr---$ae-uk---
050 00 $aPN1993.5.F7$bJ34 2010
082 00 $a791.43/750944$222
245 00 $aJe t'aime-- moi non plus :$bFranco-British cinematic relations /$cedited by Lucy Mazdon and Catherine Wheatley.
246 30 $aFranco-British cinematic relations
260 $aNew York :$bBerghahn Books,$c2010.
300 $aviii, 289 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aFranco-British Cinematic Relations: An Overview / Lucy Mazdon -- Industry and Institutions. The Exhibition, Distribution and Reception of French Films in Great Britain during the 1930s / Vincent Porter -- The 'Cinematization' of Sound Cinema in Britain and the Dubbing into French of Hitchcock's Waltzes from Vienna (1934) / Charles O'Brien -- Une Entente Cordiale? A Brief History of the Anglo-French Film Coproduction Agreement, 1965/1979 / Justin Smith -- Channel-crossing Festivals: The Cases of the French Film Festival U.K. and Dinard's Festival du Film Britannique / Cécile Renaud -- The Language of Love? How the French Sold Lady Chatterley's Lover (Back) to British Audiences / Catherine Wheatley -- Reception and Perceptions. Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and Other Early French New Wave Films (1956/1962) / Daniel Biltereyst -- The Reception of the Nouvelle Vague in Britain / Geoffrey Nowell-Smith -- 'New Waves, New Publics?': The Nouvelle Vague, French Stars and British Cinema / Sarah Street -- Mirror Image: French Reflections of British Cinema / Ian Christie -- 'Incredibly French'?: Nation as an Interpretative Context for Extreme Cinema / Melanie Selfe -- British Audiences and 1990s French New Realism: La Vie Rêvuée des Anges as Cinematic Slum Realism / Ingrid Stigsdotter -- Personnel and Performance. 'The Meaning of That French Word Chic': Annabella's Franco-British Stardom / Jonathan Driskell -- 'Those Frenchies Seek Him Everywhere': David Niven in Franco-British Cinematic Relations / Cristina Johnston -- Truffaut in London / Robert Murphy -- Jane Birkin: From English Rose to French Icon / Leila Wimmer -- The French Resistance Through British Eyes : From 'Allo 'Allo! to Charlotte Gray / Ginette Vincendeau -- 'In the Ghetto': Space, Race and Marginalization in French and British 'Urban' Films La Haine and Bullet Boy / Jim Morrissey.
650 0 $aMotion pictures, French$zGreat Britain.
650 0 $aMotion pictures$zFrance$xHistory$y20th century.
650 0 $aMotion pictures, British$zFrance.
650 0 $aMotion pictures$zGreat Britain$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2010102534
700 1 $aMazdon, Lucy.$0http://id.loc.gov/authorities/names/nb99137182
700 1 $aWheatley, Catherine.$0http://id.loc.gov/authorities/names/n2008077081
852 00 $bglx$hPN1993.5.F7$iJ34 2010