MARC Record from marc_columbia

LEADER: 02975cam a2200433 a 4500
001 8408703
005 20221201062332.0
008 100302s2010 nyu 000 0aeng
010 $a 2010006455
020 $a9780415586283 (hardback : alk. paper)
020 $a0415586283 (hardback : alk. paper)
020 $a9780415586290 (pbk. : alk. paper)
020 $a0415586291 (pbk. : alk. paper)
020 $a9780203847046 (e-book)
020 $a0203847040 (e-book)
024 $a40018696753
035 $a(OCoLC)540643990
035 $a(OCoLC)ocn540643990
035 $a(NNC)8408703
035 $a8408703
040 $aDLC$cDLC$dYDX$dYDXCP$dBWK$dCDX
041 1 $aeng$hita
043 $ae-uk---
050 00 $aPN2598.V37$bA313 2010
082 00 $a792.02/8092$aB$222
100 1 $aVarley, Julia,$d1954-$0http://id.loc.gov/authorities/names/no2009094778
240 10 $aPietre d'acqua.$lEnglish$0http://id.loc.gov/authorities/names/n2010012490
245 10 $aNotes from an Odin actress :$bstones of water /$cJulia Varley.
246 30 $aStones of water
260 $aNew York, NY :$bRoutledge,$c2010.
300 $axiv, 188 pages :$billustrations, portraits ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 0 $aIntroduction -- Dancing history. First steps -- Becoming an actress -- Odin Teatret -- Teachers -- The dramaturgy of the actress -- Personal terminology. The echo of silence -- Stage presence -- Pursuing oppositions -- Rodin's torsos -- Precision and decision: the whole body -- Precision and decision: the whole voice -- Training. Aspects of training -- My own training -- The purpose of training -- Reduction -- Improvisation and composition. The creation of material -- Stimuli, strategies and procedures -- Repetition, memory, fixing -- Before, during and after improvisation -- Elaboration: from the actress's point of view -- Elaboration: from the director's point of view -- Score and subscore. A useful but wrong word -- The paper song -- Thought -- The subscore of creation -- Chaotic order -- The subscore of repetition -- The subscore of performance -- Text and subtext. Textual interpretation -- Textual analysis -- Physical actions as subtext -- Vocal actions as subtext -- Melodies and music as subtext -- The character. Identities -- Mr Peanut -- Do; a musica -- Dramaturgy according to Daedalus -- The puppet character -- The director -- Meeting a director -- Working with a director -- The surgeon and the mountaineer -- The peasant and the cook -- The performance. Replica and difference -- Faces, words, landscapes.
600 10 $aVarley, Julia,$d1954-$0http://id.loc.gov/authorities/names/no2009094778
650 0 $aActors$zGreat Britain$vBiography.$0http://id.loc.gov/authorities/subjects/sh2007100558
650 0 $aActing.$0http://id.loc.gov/authorities/subjects/sh85000691
610 20 $aOdin teatret.$0http://id.loc.gov/authorities/names/n82108042
852 00 $bglx$hPN2598.V37$iA313 2010