MARC Record from marc_columbia

LEADER: 02260cam a2200385 a 4500
001 8408846
005 20221201062353.0
008 101013t20112011nyua b 001 0 eng
010 $a 2010041800
020 $a9780820468433 (pbk. : alk. paper)
020 $a0820468436 (pbk. : alk. paper)
024 $a40018848212
035 $a(OCoLC)ocn670247538
035 $a(OCoLC)670247538
035 $a(NNC)8408846
035 $a8408846
040 $aDLC$cDLC$dYDX$dYDXCP
043 $an-us---
050 00 $aPS374.D4$bS52 2011
082 00 $a813/.087209$222
100 1 $aShiloh, Ilana.$0http://id.loc.gov/authorities/names/n2010068116
245 14 $aThe double, the labyrinth and the locked room :$bmetaphors of paradox in crime fiction and film /$cIlana Shiloh.
260 $aNew York :$bPeter Lang,$c[2011], ©2011.
300 $aviii, 186 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- The deconstruction of reason in Poe's Tales of ratiocination. The double. Existential doubles : Dashiell Hammett's The Maltese falcon -- Subversive doubles : Patricia Highsmith's The talented Mr. Ripley -- Doubles : Christopher Nolan's Memento -- The labyrinth. Avatars of the labyrinth : Jorge Luis Borges's Death and the compass -- Justice as a labyrinth : the Coen Brothers' The man who wasn't there -- The book as a labyrinth : Mark Danielewski's House of leaves -- The locked room. The locked room of the self : Paul Auster's The New York trilogy -- Conclusion.
650 0 $aDetective and mystery stories, American$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008102216
650 0 $aDetective and mystery films$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009123245
650 0 $aMetaphor in literature.$0http://id.loc.gov/authorities/subjects/sh94006608
650 0 $aMetaphor in motion pictures.$0http://id.loc.gov/authorities/subjects/sh96008441
650 0 $aSplit self in literature.$0http://id.loc.gov/authorities/subjects/sh85126836
650 0 $aDoubles in literature.$0http://id.loc.gov/authorities/subjects/sh85039186
852 0 $bglx$hPS374.D4$iS52 2011