| Record ID | marc_columbia/Columbia-extract-20221130-018.mrc:102390934:1024 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-018.mrc:102390934:1024?format=raw |
LEADER: 01024cam a2200289La 4500
001 8929585
005 20111004004335.0
008 110708s2011 ne a b 001 0 eng d
020 $a9789042033566
020 $a9042033568
035 $a(OCoLC)ocn741754285
035 $a(OCoLC)741754285
035 $a(NNC)8929585
040 $aNz$cUZ0$dCDX$dNNC
043 $au-at---
050 14 $aPR9611.2$b.H36 2011
100 1 $aHamilton, Margaret.
245 10 $aTransfigured stages :$bmajor practitioners and theatre aesthetics in Australia /$cMargaret Hamilton.
260 $aAmsterdam ;$aNew York, NY :$bRodopi,$c2011.
300 $a243 p. :$bill. ;$c23 cm.
500 $aBased on the author's Ph.D thesis, University of New South Wales, 2005.
504 $aIncludes bibliographical references (p. [213]-232) and index.
650 0 $aAustralian drama$y20th century$xHistory and criticism.
650 0 $aPerformance art$zAustralia.
650 0 $aPostmodernism$zAustralia.
650 0 $aAesthetics.
852 00 $bglx$hPR9611.2$i.H36 2011g