| Record ID | marc_columbia/Columbia-extract-20221130-018.mrc:68574004:973 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-018.mrc:68574004:973?format=raw |
LEADER: 00973cam a2200301 a 4500
001 8759718
005 20141020142144.0
008 101014s2011 enka b 000 0deng
010 $a 2010939348
020 $a9781848220683
020 $a1848220685
024 $a40019511755
035 $a(OCoLC)676727082
035 $a(OCoLC)ocn676727082
035 $a(NNC)8759718
040 $aDLC$cDLC$dBTCTA$dYDXCP$dERASA$dNLE$dIBZ$dEYM$dUKTTE$dNDD
042 $apcc
043 $ae-uk---
050 00 $aN6797.R45$bH37 2011
082 04 $a709.2$222
100 1 $aHarrison, Michael,$d1947-2013.
245 10 $aAlan Reynolds :$bthe making of a concretist artist /$cMichael Harrison.
260 $aFarnham, Surrey ;$aBurlington, VT :$bLund Humphries,$cc2011.
300 $a192 p. :$bill. ;$c28 cm.
600 10 $aReynolds, Alan,$d1926-2014$xCriticism and interpretation.
650 0 $aConcrete art$zGreat Britain.
600 14 $aReynolds, Alan,$d1926-
852 00 $bfaxlc$hN6797.R45$iH37 2011