Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:121261937:3181 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:121261937:3181?format=raw |
LEADER: 03181cam a2200457 a 4500
001 9374115
005 20140219132641.0
008 111222s2012 txua bc 001 0 eng
010 $a 2011051301
016 7 $a015990956$2Uk
020 $a9780300179606
020 $a030017960X
035 $a(OCoLC)ocn759174347
035 $a(OCoLC)759174347
035 $a(NNC)9374115
040 $aDLC$cDLC$dYDX$dBTCTA$dERASA$dUKMGB$dYDXCP
042 $apcc
050 00 $aTR184$b.N35 2012
082 00 $a770$223
084 $aART015100$aART015110$aPHO010000$aART006010$2bisacsh
100 1 $aNakamori, Yasufumi.
245 10 $aUtopia/dystopia :$bconstruction and destruction in photography and collage /$cby Yasufumi Nakamori with Graham Bader.
260 $a[Houston] :$bMuseum of Fine Arts, Houston ;$aNew Haven :$bDistributed by Yale University Press,$cc2012.
300 $a112 p. :$bill. (some col.) ;$c25 cm.
520 $a"From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. Utopia/Dystopia investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium.This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Höch, Arata Isozaki, El Lissitzky, Carter Mull, László Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others. Also included are essays that offer new ways of thinking about photography's uses and implications"--$cProvided by publisher.
520 $a"Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated with works from the accompanying exhibition"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
650 0 $aPhotography$xPolitical aspects$vExhibitions.
650 0 $aPhotography$xSocial aspects$vExhibitions.
650 0 $aPhotography$xPhilosophy$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
650 0 $aPhotocollage$vExhibitions.
650 0 $aDystopias$vExhibitions.
650 0 $aUtopias$vExhibitions.
650 7 $aART / History / Modern (late 19th Century to 1945).$2bisacsh
650 7 $aART / History / Contemporary (1945-).$2bisacsh
650 7 $aPHOTOGRAPHY / History.$2bisacsh
650 7 $aART / Collections, Catalogs, Exhibitions / Group Shows.$2bisacsh
700 1 $aBader, Graham.
710 2 $aMuseum of Fine Arts, Houston.
852 00 $bfaxlc$hTR184$i.N35 2012