| Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:121400015:1019 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:121400015:1019?format=raw |
LEADER: 01019cam a2200313Ia 4500
001 9374242
005 20120620223228.0
008 110921s2012 enka bq 000 0 eng d
020 $a9781854379726
020 $a1854379720
024 $a60001554077
035 $a(OCoLC)754717748
035 $a(OCoLC)ocn754717748
035 $a(NNC)9374242
040 $aBTCTA$beng$cBTCTA$dERASA$dBDX$dYDXCP$dBWK$dINT
050 4 $aN7396.K45$bM33 2012
100 1 $aMcCrickard, Kate.
245 10 $aWk :$bWilliam Kentridge /$cKate McCrickard.
246 30 $aWilliam Kentridge
260 $aLondon :$bTate Pub.,$c2012.
300 $a117 p. :$bill. (some col.) ;$c27 cm.
490 1 $aModern artists
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
600 10 $aKentridge, William,$d1955-$xCriticism and interpretation.
700 1 $aKentridge, William,$d1955-
830 0 $aModern artists (London, England)
852 00 $bfaxlc$hN7396.K45$iM33 2012g
852 00 $bbar$hN7396.K45$iM33 2012g