MARC Record from marc_columbia

LEADER: 02889cam a2200361Ia 4500
001 9380668
005 20130502125155.0
008 120222s2011 be afg b 101 0 eng d
020 $a9782503542713
020 $a2503542719
035 $a(OCoLC)ocn779255209
035 $a(OCoLC)779255209
035 $a(NNC)9380668
040 $aERASA$beng$cERASA$dOCLCQ$dOHX$dBTCTA$dYDXCP$dHTV$dBOS$dNNC
082 04 $a780
090 $aML410.J815$bI58 2009
111 2 $aInternational Josquin Symposium$d(2009 :$cMiddelburg, Netherlands)
245 10 $aJosquin and the sublime :$bproceedings of the International Josquin Symposium at Roosevelt Academy Middelburg, 12-15 July 2009 /$cedited by Albert Clement and Eric Jas.
260 $aTurnhout :$bBrepols,$c2011.
300 $axix, 247 p., 7 p. of plates :$bcol. ill., music ;$c30 cm.
490 1 $aCollection "Epitome musical"
520 8 $aThe principal goal of this collection is to investigate and discover elements in Josquin's musical style that have won the composer his unequalled reputation, a reputation that has been described in the most laudatory words from the beginning of the 16th century onwards. If Josquin's talent 'has brought all the arts to life' (anonymous distich, Basilica of S. Sisto in Piacenca, 1514) indeed, if 'his genius is indescribable and we can be amazed at it more than we can treat it worthily' (Glarean, Dodecachordon), and if he truly 'has opened the eyes of all those who rejoice in his art or who will rejoice in the future' (Cosimo Bartoli, Ragionamenti accademici), then we can safely state that many of his compositions must be nothing less than 'sublime'.
520 8 $aThe principal goal of this collection is to investigate and discover elements in Josquin's musical style that have won the composer his unequalled reputation, a reputation that has been described in the most laudatory words from the beginning of the 16th century onwards. If Josquin's talent 'has brought all the arts to life' (anonymous distich, Basilica of S. Sisto in Piacenca, 1514) indeed, if 'his genius is indescribable and we can be amazed at it more than we can treat it worthily' (Glarean, Dodecachordon), and if he truly 'has opened the eyes of all those who rejoice in his art or who will rejoice in the future' (Cosimo Bartoli, Ragionamenti accademici), then we can safely state that many of his compositions must be nothing less than 'sublime'.0.
600 00 $aJosquin,$cdes Prez,$d-1521$xCriticism and interpretation$vCongresses.
650 0 $aMotets$y15th century$vCongresses.
650 0 $aPsalms (Music)$vCongresses.
650 0 $aPart songs, French$y15th century$vCongresses.
650 0 $aMusicians in art$vCongresses.
650 0 $aSublime, The, in music.
700 1 $aClement, Arie Albertus,$d1962-
700 1 $aJas, Eric.
830 0 $aCollection "Epitome musical."
852 00 $bmus$hML410.J815$iI58 2009g