| Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:126101854:1977 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:126101854:1977?format=raw |
LEADER: 01977cam a2200361 a 4500
001 9385298
005 20120620223428.0
008 110830s2012 enkg b 001 0deng
010 $a 2011036586
016 7 $a015964561$2Uk
020 $a9781409422624 (hardcover : alk. paper)
020 $a1409422623 (hardcover : alk. paper)
020 $a9781409422631 (ebook)
020 $a1409422631 (ebook)
035 $a(OCoLC)ocn752286960
035 $a(NNC)9385298
040 $aDLC$cDLC$dYDX$dUKMGB$dBTCTA$dERASA$dYDXCP$dE7B$dOCLCQ
042 $apcc
043 $ae-gx---
050 00 $aML275.5$b.E55 2012
082 00 $a831/.914$223
100 1 $aEnglund, Axel.
245 10 $aStill songs :$bmusic in and around the poetry of Paul Celan /$cAxel Englund.
260 $aFarnham, Surrey, England ;$aBurlington, VT :$bAshgate Pub.,$cc2012.
300 $axii, 239 p. :$bmusic ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- poetry and music in conflict and convergence -- Play death sweeter -- Fire in the harp, in her hair -- Rises and plays -- Into you, into you I sing -- We resound -- Shattered the songs.
520 $a"Paul Celan, who has long been recognized as the most important poet of the German language after World War II, repeatedly referred to music and song in his poetic oeuvre, and few writers of the post-war era have inspired as large a body of musical settings by contemporary composers. Englund addresses music both as a thematic and structural presence in the poems themselves and as their sounding interlocutor in musical works by Harrison Birtwistle, György Kurtág, Wolfgang Rihm, Peter Ruzicka, and many others" --$cProvided by publisher.
650 0 $aMusic$zGermany$y20th century$xHistory and criticism.
600 10 $aCelan, Paul$xMusical settings$xHistory and criticism.
650 0 $aNational socialism and literature.
852 00 $bglx$hML275.5$i.E55 2012
852 00 $bmus$hML275.5$i.E55 2012