MARC Record from marc_columbia

LEADER: 03193cam a2200301 a 4500
001 9398229
005 20150713184537.0
008 120131s2011 mx a 001 0 spa d
035 $a(OCoLC)ocn779207054
035 $a(OCoLC)779207054
035 $a(NNC)9398229
040 $aCGU$cCGU$dNNC
041 0 $aspa$aeng
050 14 $aN6494.V53$bB65 2011
245 00 $aBlockbuster :$b[cine para exhibiciones = Cinema for exhibitions] /$c[curaduría: Jens Hoffmann ; coordinación general: Yameli Mera ; museografía: Samael Barrios].
246 30 $aCine para exhibiciones
246 30 $aCinema for exhibitions
260 $aMéxico, D.F. :$bUniversidad Nacional Autónoma de México,$c2011.
300 $a153 p. :$bill. ;$c24 cm.
500 $aCatalog of exhibition held Oct. 8, 2011 - Feb. 5, 2012 at the MUAC in México City.
520 8 $aBlockbuster: Cinema for exhibitions, a group exhibition investigating how a number of important contemporary artists working with film and video have been influenced by specific issues that lie in the work of the great filmmakers of the twentieth century. Produced by CIAC (Isabel and Agustín Coppel Collection) and curated by Jens Hoffmann (Director of the CCA Wattis Institute for Contemporary Arts, San Francisco), the sample, which was presented previously at the Museum of Contemporary Art in Monterrey, Mexico (MARCO) - , the museum recreates the cinematic experience, and explore the influence of 20th-century filmmakers such as Ingmar Bergman, Alfred Hitchcock and Roberto Rossellini on contemporary video artists. Each artist has been invited to choose a film to screen along with their own work, and participants include Eija-Liisa Ahtila, Abraham Cruzvillegas, Douglas Gordon, Rodney Graham, Runa Islam, Steve McQueen and Anri Salarelated plays that have been the starting point for the development of body art video artists participating: Bani Abidi, Eija-Liisa Ahtila, Ziad Antar, Manon de Boer, Bruce Conner, Abraham Cruzvillegas, Keren Cytter, Tacita Dean, Stan Douglas, Omer Fast, Luke Fowler, Yang Fudong, Dominique Gonzalez-Foerster, Douglas Gordon, Rodney Graham, Pierre Huyghe, Runa Islam, Daria Martin, Steve McQueen, and Anri Sala Mrjen Valrie. As a key element of the curatorial thesis presents a cycle composed of the film selections of the artists. In this way, the exhibition comprises a selection of video art and a film series, divided into five programs that will change every three weeks. The overall composition of Blockbuster: Film exhibition was designed with the intention of creating a new relationship between exposure and spectator: for constant rotation programs can be experienced in full, spectators are required to regularly visit the museum. This is intended to promote a more active dialogue between audience and institution.
546 $aIn Spanish and English.
650 0 $aVideo art$xThemes, motives$vExhibitions.
650 0 $aArt, Modern$y21st century$xThemes, motives$vExhibitions.
700 1 $aHoffmann, Jens,$d1974-
700 1 $aMera, Yameli.
710 2 $aUniversidad Nacional Autónoma de México.$bMuseo Universitario Arte Contemporáneo de México.
852 00 $bfaxlc$hN6494.V53$iB65 2011g