Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:138152824:3279 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:138152824:3279?format=raw |
LEADER: 03279cam a2200433 a 4500
001 9419504
005 20120716171410.0
008 071126s2008 nyu o 000 0 eng
010 $a 2007048282
019 $a179806421$a456700694
020 $a9780061456435 (acid-free paper)
020 $a0061456438 (acid-free paper)
024 $a99948465805
035 $a(OCoLC)ocn182621503
035 $a(OCoLC)182621503$z(OCoLC)179806421$z(OCoLC)456700694
035 $a(NNC)9419504
040 $aDLC$cDLC$dBAKER$dYDXCP$dBTCTA$dUPZ$dC#P$dBWX$dCDX$dVP@$dZJI$dJRS$dCQU$dHEBIS
050 00 $aPN1995$b.M432 2008
082 00 $a801/.95$222
082 00 $a809.4$222
100 1 $aMendelsohn, Daniel Adam,$d1960-
245 10 $aHow beautiful it is and how easily it can be broken :$bessays /$cDaniel Mendelsohn.
250 $a1st ed.
260 $aNew York :$bHarper,$cc2008.
300 $axix, 456 p. ;$c24 cm.
505 00 $gIntroduction.$tHow beautiful it is and how easily it can be broken --$gPart one. Heroines.$tNovel of the year$r(The lovely bones) --$tNot afraid of Virginia Woolf$r(The hours) --$tVictims on Broadway I$r(The glass menagerie) --$tVictims on Broadway II$r(A streetcar named desire) --$tThe women of Pedro Almodóvar$r(Volver ) --$tLost in Versailles$r(Marie Antoinette) --$tLooking for Lucia$r(Lucia at the Met) --$tNot an ideal husband$r(Ted Hughes's Alcestis) --$gPart two. Heroics.$tA little Iliad$r(Troy) --$tAlexander, the movie!) --$tDuty$r(300) --$tIt's only a movie$r(Kill Bill, vol. 1) --$tNailed! Dale Peck's hatchet jobs) --$tThe way out$r(Everyman) --$tMighty Hermaphrodite$r(Middlesex) --$gPart three. Closets.$tThe Passion of Henry James$r(The Master) --$tThe Two Oscar Wildes$r(The Importance of Being earnest) --$tThe tale of two housmans$r(The Invention of love) --$tThe Truman Show$r(The stories and letters of Truman Capote) --$tWinged messages$r(Angels in America) --$tAn affair to remember$r(Brokeback Mountain) --$tThe man behind the curtain$r(John Boswell, Same-Sex Unions in Premodern Europe) --$gPart four. Theater.$tThe Greek way$r(Greek tragedies in New York) --$tBitter-Sweet$r(Private lives) --$tDouble Take$r(The producers) --$tHarold Pinter's celebration$r(Pinter retrospective at Lincoln Center) --$gPart five. War.$tTheaters of war$r(Thucydides' history) --$tThe Bad boy of Athens$r(Medea on Broadway) --$tFor the birds$r(Nathan Lane's Frogs) --$tSeptember 11 at the movies$r(World Trade Center and United 93).
520 $aA collection of essays that mostly appeared in the New York Review of Books in which the classicist/critic looks at contemporary culture through its movies, books and theater.
600 10 $aMendelsohn, Daniel Adam,$d1960-$xCriticism and interpretation$xHistory$y20th century.
600 10 $aMendelsohn, Daniel Adam,$d1960-$xCriticism and interpretation$xHistory$y21st century.
650 0 $aCritics$zUnited States.
650 0 $aInfluence (Literary, artistic, etc.)
650 0 $aMotion pictures$vReviews.
650 0 $aBooks$vReviews.
650 0 $aTheater$vReviews.
600 17 $aMendelsohn, Daniel Adam.$2swd
650 07 $aDrama.$2swd
650 07 $aFilm.$2swd
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip085/2007048282.html
852 00 $bmil$hPN1995$i.M433 2008g