| Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:143983770:1592 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:143983770:1592?format=raw |
LEADER: 01592pam a2200349 a 4500
001 9438368
005 20120620225742.0
008 110914s2012 nyua b 001 0 eng c
010 $a 2011038590
020 $a9780801450082 (cloth : alk. paper)
020 $a080145008X (cloth : alk. paper)
024 $a40020842504
035 $a(OCoLC)ocn753351179
035 $a(OCoLC)753351179
035 $a(NNC)9438368
040 $aNIC/DLC$beng$cCOO$dDLC$dBTCTA$dYDXCP$dBDX$dNhCcYBP
042 $apcc
043 $an-us---
050 00 $aPN1995.9.P6$bS26 2012
082 00 $a384/.8097309045$223
100 1 $aSbardellati, John,$d1973-
245 10 $aJ. Edgar Hoover goes to the movies :$bthe FBI and the origins of Hollywood's Cold War /$cJohn Sbardellati.
260 $aIthaca :$bCornell University Press,$cc2012.
300 $aviii, 256 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : Hollywood's Red scare -- A movie problem -- The FBI's search for communist propaganda during the Second World War -- Producing Hollywood's Cold War -- The coalescence of a counter-subversive network -- The 1947 HUAC trials -- Rollback -- Conclusion : three perspectives on the death of the social problem film.
650 0 $aMotion pictures$xPolitical aspects$zUnited States$xHistory.
650 0 $aCold War in motion pictures.
650 0 $aCommunism and motion pictures$zUnited States.
650 0 $aCold War$xSocial aspects$zUnited States.
610 10 $aUnited States.$bFederal Bureau of Investigation.
852 00 $bglx$hPN1995.9.P6$iS26 2012