| Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:144105150:1522 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:144105150:1522?format=raw |
LEADER: 01522cam a2200373 a 4500
001 9438442
005 20120620225756.0
008 110524s2012 nyua b 001 0 eng
010 $a 2011022191
019 $a778325933
020 $a9780199732951 (hardcover : alk. paper)
020 $a0199732957 (hardcover : alk. paper)
024 $a40020842592
035 $a(OCoLC)728656815$z(OCoLC)778325933
035 $a(OCoLC)ocn728656815
035 $a(NNC)9438442
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dUKMGB$dTDF
042 $apcc
050 00 $aML3877$b.D37 2012
082 00 $a780.944/09022$223
100 1 $aDillon, Emma.
245 14 $aThe sense of sound :$bmusical meaning in France, 1260-1330 /$cEmma Dillon.
260 $aNew York :$bOxford University Press,$cc2012.
300 $axx, 367 p. :$bill. ;$c25 cm.
490 1 $aThe new cultural history of music
504 $aIncludes bibliographical references and index.
505 0 $aListening to the past, listening in the past -- Sound and the city -- Charivari -- Madness and the eloquence of nonsense -- Sound in prayer -- Sound in prayer books -- Praying with sound : the hours of Jeanne D'Evreux and Walters -- Devotional listening and the Montpellier Codex.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aMusic$zFrance$y500-1400$xHistory and criticism.
650 0 $aMusic and literature.
650 0 $aAuditory perception.
650 0 $aListening.
830 0 $aNew cultural history of music.
852 00 $bmus$hML3877$i.D37 2012