MARC Record from marc_columbia

LEADER: 02173cam a2200445 a 4500
001 9169737
005 20120117211113.0
008 061012s2007 nyua b 001 0 eng
010 $a 2006034121
015 $aGBA716478$2bnb
016 7 $a013683637$2Uk
020 $a9780826428042 (hardcover : alk. paper)
020 $a0826428045 (hardcover : alk. paper)
020 $a9780826428059 (pbk. : alk. paper)
020 $a0826428053 (pbk. : alk. paper)
035 $a(OCoLC)ocm73927155
035 $a(OCoLC)73927155
035 $a(NNC)9169737
040 $aDLC$cDLC$dBAKER$dBTCTA$dC#P$dYDXCP$dIXA$dVP@$dUKM$dSOI$dHEBIS$dCHVBK$dOCLCQ
043 $an-us---
050 00 $aPN1996$b.M84 2007
082 00 $a791.43/75$222
100 1 $aMurphy, J. J.,$d1947-
245 10 $aMe and you and Memento and Fargo :$bhow independent screenplays work /$cby J.J. Murphy.
260 $aNew York :$bContinuum,$c2007.
300 $aviii, 290 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 281-284) and index.
505 0 $aIntroduction -- The ambivalent protagonist in Stranger than paradise -- The passive protagonist in Safe -- Shifting protagonists in Fargo -- Multiple plots and subplots in Trust -- Shifting goals and plotlines in Gas food lodging -- The ensemble structure of Me and you and everyone we know -- The flashback structure of Reservoir dogs -- The temporal complexity of Elephant -- Memento as a puzzle film -- Dream logic and Mulholland Dr. -- Free association and Gummo -- The character-based structure of Slacker -- Conclusion.
650 0 $aMotion picture authorship.
650 0 $aMotion pictures$zUnited States.
650 0 $aIndependent filmmakers$zUnited States.
650 07 $aUnabhängiger Film.$2swd
650 07 $aDrehbuch.$2swd
651 7 $aUSA.$2swd
650 7 $aDrehbuch.$2idszbz
650 7 $aIndependent cinema.$2idszbz
651 7 $aUSA.$2idszbz
776 08 $iOnline version:$aMurphy, J.J., 1947-$tMe and you and Memento and Fargo.$dNew York : Continuum, 2007$w(OCoLC)651772634
856 41 $3Table of contents only$uhttp://catdir.loc.gov/catdir/toc/ecip073/2006034121.html
852 00 $bmil$hPN1996$i.M84 2007