| Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:6633576:1410 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:6633576:1410?format=raw |
LEADER: 01410cam a22003377a 4500
001 9018491
005 20160714141702.0
008 110818s2011 stk b 001 0 eng d
010 $a 2011486330
020 $a9780748638529 (hbk)
020 $a0748638520 (hbk)
024 $a40019809495
035 $a(DLC)16925079
035 $a(DLC)2011486330
035 $a(OCoLC)ocn743489355
035 $a(NNC)9018491
040 $aAU@$cAU@$dLAF$dDLC
042 $alccopycat
050 00 $aPN56.T45$bR36 2011
082 04 $a810.9358$222
100 1 $aRandall, Martin.
245 10 $a9/11 and the literature of terror /$cMartin Randall.
260 $aEdinburgh :$bEdinburgh University Press,$cc2011.
300 $a174 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [161]-167) and index.
520 $aExplores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications.
650 0 $aSeptember 11 Terrorist Attacks, 2001, in literature.
650 0 $aSeptember 11 Terrorist Attacks, 2001$xInfluence.
650 0 $aLiterature, Modern$y21st century$xHistory and criticism.
651 0 $aNew York (N.Y.)$xIn literature.
852 00 $bglx$hPN56.T45$iR36 2011