| Record ID | marc_columbia/Columbia-extract-20221130-019.mrc:72279930:1461 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-019.mrc:72279930:1461?format=raw |
LEADER: 01461cam a2200337 a 4500
001 9204302
005 20120220195303.0
008 110707s2012 nyu b 001 0 eng
010 $a 2011026131
020 $a9780415897037 (hbk : acid-free paper)
020 $a0415897033 (hbk : acid-free paper)
020 $a9780203145197 (ebk)
020 $a0203145194 (ebk)
024 $a40020340679
035 $a(OCoLC)ocn707966538
035 $a(OCoLC)707966538
035 $a(NNC)9204302
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dERASA
050 00 $aPR2986$b.O76 2012
082 00 $a822.3/3$223
100 1 $aO'Rourke, James L.
245 10 $aRetheorizing Shakespeare through presentist readings /$cJames O'Rourke.
260 $aNew York :$bRoutledge,$c2012.
300 $a189 p. ;$c24 cm.
490 1 $aRoutledge studies in Shakespeare ;$v7
504 $aIncludes bibliographical references and index.
505 0 $aSpectres of intention: Epic theatre and the lessons of theory -- Boys will be boys: Subtexts and afterthoughts in the comedies -- Racism and homophobia in The Merchant of Venice -- Love and object-cathexis in Troilus and Cressida: Just one of those things -- The exotic/erotic and the group: Othello -- King Lear and the art of dying.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.
650 0 $aPresentism (Literary analysis)
830 0 $aRoutledge studies in Shakespeare ;$v7.
852 00 $bglx$hPR2986$i.O76 2012