| Record ID | marc_columbia/Columbia-extract-20221130-020.mrc:22507491:1633 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-020.mrc:22507491:1633?format=raw |
LEADER: 01633cam a2200349 a 4500
001 9577178
005 20120919174108.0
008 110809s2012 enkaf b 001 0 eng
010 $a 2011033880
020 $a9780754669227 (hardcover : alk. paper)
020 $a075466922X (hardcover : alk. paper)
024 $a40021155058
035 $a(OCoLC)747331928
035 $a(OCoLC)ocn747331928
035 $a(NNC)9577178
040 $aDLC$beng$cDLC$dYDX$dUKMGB$dERASA$dYDXCP
042 $apcc
043 $ae-uk---
050 00 $aND497.T8$bC75 2012
082 00 $a759.2$223
100 1 $aCostello, Leo.
245 10 $aJ.M.W. Turner and the subject of history /$cLeo Costello.
260 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$cc2012.
300 $axix, 259 p., [26] p. of col. plates :$bill. (some col.) ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- "A great and dreadful sea-fight" : the Battle of Trafalgar (1806-8) and the end of contemporary history painting -- "The conception of a swamp'd world" : destruction and creation in painting/history -- "This cross-fire of colours" : Turner and the varnishing days -- "In Venice now" : history, nature, and the body of the subject -- The slave ship : painting/abolition/history -- Conclusion.
600 10 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851$xCriticism and interpretation.
650 0 $aHistory in art.
650 0 $aArt and history$zGreat Britain.
700 1 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851.
852 00 $boff,fax$hND497.T8$iC75 2012
852 00 $bbar$hND497.T8$iC75 2012