| Record ID | marc_columbia/Columbia-extract-20221130-020.mrc:2673274:1758 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-020.mrc:2673274:1758?format=raw |
LEADER: 01758cam a2200325M 4500
001 9509605
005 20120716174817.0
008 120222s2012 nyu 000 0 eng d
020 $a9780231161985
020 $a0231161980
024 $a40020962708
035 $a(OCoLC)ocn779255036
035 $a(OCoLC)779255036
035 $a(NNC)9509605
040 $aERASA$beng$cERASA$dOCLCQ$dYDXCP$dBWX$dNhCcYBP
050 4 $aPN1995.9.D39$bA65 2012
082 04 $a791.43653$223
245 00 $aAnimating the unconscious :$bdesire, sexuality and animation /$cedited by Jayne Pilling.
260 $aNew York :$bColumbia University Press,$c2012.
300 $aix, 220 p. ;$c24 cm.
500 $a"A Wallflower Book"
520 8 $aAs critical interest has grown in the unique ways in which art animation explores and depicts subjective experience - particularly in relation to desire, sexuality, social constructions of gender, confessional modes, fantasy, and the animated documentary - this volume offers detailed analysis of both the process and practice of key contemporary filmmakers, while also raising more general issues around the specificities of animation. This unique collection combines critical essays with interview material, visual mapping of the creative process, consideration of the neglected issue of how the use of sound differs from the of conventional live-action, and filmmakers' critiques of each others' work.
650 0 $aDesire in motion pictures.
650 0 $aSex role in motion pictures.
650 0 $aAnimated films$xHistory and criticism.
700 1 $aPilling, Jayne.
852 00 $bmil$hPN1995.9.D39$iA65 2012
852 00 $boff,glx$hPN1995.9.D39$iA65 2012
852 00 $bglx$hPN1995.9.D39$iA65 2012
852 00 $bbar$hPN1995.9.D39$iA65 2012