| Record ID | marc_columbia/Columbia-extract-20221130-020.mrc:64813720:1818 |
| Source | marc_columbia |
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LEADER: 01818cam a22003734i 4500
001 9746858
005 20130502140224.0
008 121009s2012 enka b 000 0 eng d
020 $a9781846380921 (cloth)
020 $a1846380928 (cloth)
020 $a9781846380938 (paperback)
020 $a1846380936 (paperback)
035 $a(OCoLC)ocn793580715
035 $a(NNC)9746858
040 $aBTCTA$beng$cBTCTA$dERASA$dBDX$dUKMGB$dYDXCP$dYNK$dCDX$dNLE$dOCLCO$dNDD$erda$dMYG
050 4 $aN6537.A8$bR675 2012
082 04 $a709.04074$223
100 1 $aRorimer, Anne.
245 10 $aMichael Asher :$bKunsthalle Bern, 1992 /$cAnne Rorimer.
246 30 $aKunsthalle Bern, 1992
264 1 $aLondon :$bAfterall Books,$c2012.
264 2 $aCambridge, Massachusetts ;$aLondon :$bMIT Press
300 $a116 pages :$billustrations (some color) ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aOne work series
504 $aIncludes bibliographical references.
520 $a"In this detailed examination of Kunsthalle Bern, 1992, Anne Rorimer considers the work in the context of Asher's ongoing desire to fuse art with the material, economic and social conditions of insitutional presentation. Rorimer analyses the work in relation to earlier Minimalist artists like Dan Flavin and Conceptualists such as Marcel Broodthaers, Daniel Burren and Maria Nordman. She also considers how Asher's practice has resonated with a younger generation including Fred Wilson, Andrea Fraser and Maria Eichhorn"--Back cover.
600 10 $aAsher, Michael$xCriticism and interpretation.
600 10 $aAsher, Michael.$tKunsthalle Bern, 1992.
650 0 $aConceptual art$zUnited States.
830 0 $aOne work.
852 00 $bfaxlc$hN6537.A8$iR675 2012g