MARC Record from marc_columbia

LEADER: 02194cam a2200349Ia 4500
001 9752011
005 20121217173628.0
008 110530s2010 pl a b 000 0 eng d
015 $aGBB165952$2bnb
016 7 $a015817629$2Uk
019 $a742513288$a783294695
020 $a9788392404439 (pbk.)
020 $a8392404432 (pbk.)
035 $a(OCoLC)ocn766257138
035 $a(OCoLC)766257138$z(OCoLC)742513288$z(OCoLC)783294695
035 $a(NNC)9752011
040 $aUKMGB$beng$cUKMGB$dYDXCP$dCDX$dCLU$dCUS$dFDA$dTEU$dFDA$dBTCTA$dERASA
043 $ae-yu---
050 4 $aN7248.5.C6$bA7 2010
082 04 $a709.49709046$223
245 00 $aAs soon as I open my eyes I see a film :$bexperiment in the art of Yugoslavia in the 1960s and 1970s /$cedited by Ana Janevski.
260 $aWarsaw :$bMuseum of Modern Art in Warsaw,$cc2010.
300 $a259 p. :$bill. (some col.) ;$c24 cm.
490 1 $aMuseum under construction ;$vno 4
500 $a"The book follows the show "As Soon As I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s", Museum of Modern Art in Warsaw, April 24-June 22 2008" -- colophon.
504 $aIncludes bibliographical references.
505 00 $tAs soon as I open my eyes I see a film :$texperiment on the art of Yugoslavia in the 1960s and 1970s /$rAna Janevski --$tTroubles with reality, or who was to carry the burden of self-management? /$rStevan Vuković --$tPragmatism of the margins :$ton contacts between Yugoslav and Polish avant-gardes in the 1970s /$rŁukasz Ronduda --$tIt's all a movie :$ta conversation with Tomislav Gotovac /$rGoran Trbuljak and Hrvoje Turković --$tFrom the editor /$rAna Janevski --$tAntifilm :$twhat is it? /$rMihovil Pansini --$tGEFF :$tvisions of antifilm --$tDiagram :$tantifilm, us & them /$rSlobodan Šijan --$tBlack film manifesto /$rŽelimir Žilnik --$tSerbian cutting /$rBranko Vučičević --$tItaly, Yugoslavia (fragments) /$rR. Adams Sitney.
650 0 $aArt, Yugoslav$y20th century.
650 0 $aConceptual art$zYugoslavia$y20th century.
700 1 $aJanevski, Ana,$eeditor.
830 0 $aMuseum under construction ;$vno. 4.
852 00 $bfaxlc$hN7248.5.C6$iA7 2010g