MARC Record from marc_columbia

LEADER: 03089cam a2200469 i 4500
001 10276922
005 20130722151558.0
008 130510s2013 nyua b 001 0 eng
010 $a 2012007691
020 $a9780415898393 (hardback)
020 $a0415898390 (hardback)
020 $a9780415898409 (pb)
020 $a0415898404 (pb)
020 $a9780203100134 (ebook)
020 $a0203100131 (ebook)
024 $a99953734242
035 $a(OCoLC)742512498
035 $a(OCoLC)ocn742512498
035 $a(NNC)10276922
040 $aDLC$beng$erda$cDLC$dYDX$dBTCTA$dYDXCP$dOCLCO$dNNC
042 $apcc
050 00 $aNA2710$b.F58 2013
082 00 $a720.28/4$223
084 $aARC000000$aARC004000$aARC012000$2bisacsh
100 1 $aForget, Thomas.
245 14 $aThe construction of drawings and movies :$bmodels for architectural design and analysis /$cThomas Forget.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2013.
300 $axi, 260 pages :$billustrations ;$c26 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"Here, clearly demonstrated, are principles for constructing linear perspective drawings and experimental works of cinema that will help you use digital tools in the design studio. As an architect, your drawings need to examine how parts or spaces connect and relate in abstract, or analytical ways. These approaches to drawing and modeling will let you see the information that analytical graphics show. And you'll learn to use film in the same way. Author Thomas Forget explains how to construct linear perspective drawings and illustrates experimental movie-making strategies. By combining these two methods you can analyze and improve your drawings and increase your graphic literacy. He includes case studies of recent drawing, movie-making, and architecture created by practicing architects, such as Mies van der Rohe and Lewis Tsurumaki Lewis; by filmmakers, such as William Whyte and Thom Andersen; and by students, to show you the best of what's been done. And he presents the theory behind how to represent buildings that will inspire and get you thinking"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Analytical & Pictorial Imagery -- Logics of Construction. The Demystification of Linear Perspective -- The Making of a Movie -- Matters of History. The Non-linear Progression of Linear Perspective -- The Extents and Limits of Architecture-Cinema -- Indeterminate Projections. Architectural Drawings -- Architectural Movies -- Epilogue: The Reflexivity of Architecture and Projection.
650 0 $aPerspective.
650 0 $aArchitectural drawing$xTechnique.
650 0 $aArchitectural drawing$xData processing.
650 0 $aExperimental films$xProduction and direction.
650 7 $aARCHITECTURE / General.$2bisacsh
650 7 $aARCHITECTURE / Design, Drafting, Drawing & Presentation.$2bisacsh
650 7 $aARCHITECTURE / Reference.$2bisacsh
852 00 $boff,ave$hNA2710$i.F58 2013