MARC Record from marc_columbia

LEADER: 02186pam a2200409 i 4500
001 10286067
005 20130617224245.0
008 120628t20132013caua b s001 0 eng
010 $a 2012025824
020 $a9780520245419 (hardback)
020 $a0520245415 (hardback)
024 $a40022269132
035 $a(OCoLC)ocn788263924
035 $a(OCoLC)788263924
035 $a(NNC)10286067
040 $aDLC$erda$beng$cDLC$dBTCTA$dBDX$dERASA$dOCLCO$dUKMGB$dYDXCP$dNhCcYBP
041 1 $aeng$hger
042 $apcc
050 00 $aN6537.K27$bU7713 2013
082 00 $a709.2/2$223
084 $aART015020$2bisacsh
100 1 $aUrsprung, Philip.
240 10 $aGrenzen der Kunst.$lEnglish
245 10 $aAllan Kaprow, Robert Smithson, and the limits to art /$cby Philip Ursprung ; translated by Fiona Elliott.
260 $aBerkeley :$bUniversity of California Press,$c[2013], ©2013.
300 $axiii, 324 pages :$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art--both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
600 10 $aKaprow, Allan$xCriticism and interpretation.
600 10 $aSmithson, Robert$xCriticism and interpretation.
650 0 $aArt movements$xHistory$y20th century.
650 7 $aART / American / General.$2bisacsh
852 00 $boff,fax$hN6537.K27$iU7713 2013
852 00 $bbar$hN6537.K27$iU7713 2013