| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:123943290:1175 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:123943290:1175?format=raw |
LEADER: 01175pam a2200337 i 4500
001 10323665
005 20130722160904.0
008 121016s2013 nyua b 001 0 eng
010 $a 2012042281
020 $a9780199832583 (hardcover : alk. paper)
020 $a0199832587 (hardcover : alk. paper)
020 $a9780199832606 (pbk. : alk. paper)
020 $a0199832609 (pbk. : alk. paper)
024 $a40022399501
035 $a(OCoLC)814982221
035 $a(OCoLC)ocn814982221
035 $a(NNC)10323665
040 $aDLC$beng$erda$cDLC$dYDXCP$dBTCTA$dBDX$dUKMGB$dOCLCQ$dNhCcYBP
042 $apcc
050 00 $aML3528.7$b.R44 2013
082 00 $a781.64809$223
100 1 $aReed, S. Alexander.
245 10 $aAssimilate :$ba critical history of industrial music /$cS. Alexander Reed.
264 1 $aNew York :$bOxford University Press,$c[2013]
300 $axiv, 361 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
650 0 $aIndustrial music$xHistory and criticism.
852 00 $bmus$hML3528.7$i.R44 2013