MARC Record from marc_columbia

LEADER: 03682cam a2200661 a 4500
001 10487947
005 20181218120627.0
008 110906s2012 enka b 001 0 eng
010 $a 2011035583
015 $aGBB1E2291$2bnb
016 7 $a015991362$2Uk
019 $a795107777
020 $a9781107014404 (hbk.)
020 $a1107014409 (hbk.)
024 8 $a40021084354
029 1 $aAU@$b000047762104
029 1 $aNLGGC$b339200685
029 1 $aNZ1$b14284341
029 1 $aUKESR$b1107014409
029 1 $aUNITY$b126352038
035 $a(OCoLC)ocn753468463
035 $a(OCoLC)753468463$z(OCoLC)795107777
035 $a(NNC)10487947
040 $aDLC$beng$cDLC$dERASA$dUKMGB$dYDXCP$dYNK$dOIP$dRBN$dPUL$dCDX$dSTF$dIL4J6$dYUS$dCOD$dNLGGC$dOCLCQ
042 $apcc
043 $ae-ru---$ae-fr---
050 00 $aGV1786.B355$bC34 2012
082 00 $a792.80944361$223
084 $aMUS000000$2bisacsh
084 $a24.16$2bcl
100 1 $aCaddy, Davinia,$d1980-
245 14 $aThe Ballets russes and beyond :$bmusic and dance in belle-époque Paris /$cDavinia Caddy.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c2012.
300 $axvi, 237 pages :$billustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew perspectives in music history and criticism ;$v22
520 $a"Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $a1. Introduction: Le Génie de la danse -- 2. Ballet at the Opéra and La Fête chez Thérèse -- 3. Nijinsky's Faune revisited -- 4. Metaphors of invasion: the Ballets Russes and the French press -- 5. Beyond and behind Le Coq d'or.
610 20 $aBallets russes$xHistory.
650 0 $aBallet$zFrance$zParis$xHistory$y20th century.
650 0 $aDance$zFrance$zParis$xHistory$y20th century.
650 0 $aMusic$zFrance$zParis$xHistory$y20th century.
651 0 $aParis (France)$xSocial life and customs$y20th century.
600 14 $aDjagilev, Sergej$q(Sergej Pavlovič),$d1872-1929.
650 7 $aMUSIC$xGeneral.$2bisacsh
650 17 $aBalletgezelschappen.$2gtt
650 17 $aLes Ballets russes.$2gtt
650 17 $aDansers.$2gtt
651 7 $aParijs.$2gtt
830 0 $aNew perspectives in music history and criticism ;$v22.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy1117/2011035583-t.html
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1117/2011035583-b.html
856 42 $3Cover image$uhttp://assets.cambridge.org/97811070/14404/cover/9781107014404.jpg
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1117/2011035583-d.html
852 00 $bbar,stor$hGV1786.B355$iC34 2012