MARC Record from marc_columbia

LEADER: 02155cam a2200373Ii 4500
001 10498308
005 20131118213037.0
008 130509s2013 ne abc b 001 0deng d
020 $a9789089645234
020 $a9089645233
035 $a(OCoLC)ocn844236343
035 $a(OCoLC)844236343
035 $a(NNC)10498308
040 $aERASA$beng$erda$cERASA$dOCLCO$dVA@$dOHX$dJPG
043 $ae-ne---
050 4 $aND653.H66$bU55 2013
072 7 $aPT$2lcco
072 7 $aND$2lcco
082 04 $a700-9492
245 04 $aThe universal art of Samuel van Hoogstraten (1627-1678) :$bpainter, writer, and courtier /$cedited by Thijs Weststeijn.
264 1 $aAmsterdam :$bAmsterdam University Press,$c2013.
300 $a296 pages :$billustrations (some color), map, portraits ;$c26 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aAmsterdam Studies in the Dutch Golden Age
520 8 $aThe versatile painter, poet, courtier and European traveller Samuel van Hoogstraten (1627-1678), one of Rembrandt's pupils, has received much scholarly attention in the last two decades. Whereas older historians allotted him a marginal role as a minor figure in his master's studio, he is now recognized for his central position in the world of art and letters in the Dutch Golden Age. This new evaluation is mainly due to careful studies of his treatise on painting, 'Inleyding tot de Hooge Schoole der Schilderkonst' (Introduction to the Academy of Painting, 1678). His book has been mined for unique insights not only into Rembrandt's working methods but also into profounder problems relative to Dutch art and culture, such as pictorial realism, imitation and illusion, the rise of landscape and still life and the status of the 'learned artist'.
504 $aIncludes bibliographical references and index.
600 10 $aHoogstraten, Samuel van,$d1627-1678.
650 0 $aPainting, Dutch$y17th century.
650 0 $aPainting$zNetherlands$y17th century.
700 1 $aWeststeijn, Thijs,$eeditor.
830 0 $aAmsterdam studies in the Dutch golden age.
852 00 $bfaxlc$hND653.H66$iU55 2013g