MARC Record from marc_columbia

LEADER: 02205cam a2200361 a 4500
001 10099990
005 20130617214349.0
008 121207s2012 gw a bc 000 0dger c
020 $a9783868283204
020 $a386828320X
035 $a(OCoLC)815824077
035 $a(OCoLC)ocn815824077
035 $a(GyWOH)har120166356
035 $a(NNC)10099990
040 $aERASA$cERASA$dOCLCQ$dOHX$dFXM
042 $apcc
050 4 $aTR656$b.W56 2012
072 7 $aN$2lcco
082 04 $a770
100 1 $aWinter, Fritz,$d1905-1976.
245 10 $aLicht Bilder :$bFritz Winter und die abstrakte Fotografie /$c[Katalog Redaktion, Oliver kase, Anna Rühl].
246 30 $aFritz Winter und die abstrakte Fotografie
260 $aHeidelberg :$bKehrer,$c[2012]
300 $a143 p. :$bcol. ill. ;$c25 cm.
500 $aPublished on the occasion of an exhibition held at Pinakothek der Moderne, Münich, Nov. 9, 2012-Feb. 17, 2013.
520 8 $aThe artists of the early 20th century were full of enthusiasm for the phenomenon of electric light, which opened up unforeseen possibilities for photography, film and kinetic sculpture. Bauhaus student Fritz Winter, who was to become one of Germany's premier postwar abstract painters, was likewise obsessed in the 1930s with the metaphorical qualities and the aesthetic of light. He proved to be a virtuoso at incorporating the transparency of glass and crystal, as well as the reflections and luminosity of light, into his artworks. Exhibition and publication take a new approach to illuminating this innovative aspect of Winter's early career. The light and crystal paintings he executed from 1934 to 1936 are juxtaposed with experimental photographs from the 1920s and 30s in order to highlight parallels between the period's abstract painting and photography. Exhibition: Pinakothek der Moderne, Munich, Germany (9.11.2012-10.2.2013).
504 $aIncludes bibliographical references (p. 137-141).
600 10 $aWinter, Fritz,$d1905-1976$vExhibitions.
650 0 $aPhotography, Abstract$vExhibitions.
700 1 $aKase, Oliver.
700 1 $aRühl, Anna,$d1969-
710 2 $aPinakothek der Moderne (Munich, Germany)
852 00 $bfaxlc$hTR656$i.W56 2012g