MARC Record from marc_columbia

LEADER: 03326cam a22005174a 4500
001 10104670
005 20190121130846.0
008 120823s2012 nyua b 001 0 eng
010 $a 2012033977
016 7 $a016236902$2Uk
016 7 $a101598746$2DNLM
020 $a9780815633020 (cloth : alk. paper)
020 $a0815633025 (cloth : alk. paper)
024 8 $a40021651343
029 1 $aAU@$b000050008075
029 1 $aNLM$b101598746
035 $a(OCoLC)ocn794363313
035 $a(OCoLC)794363313
035 $a(NNC)10104670
040 $aDLC$beng$cDLC$dBTCTA$dGUL$dYDXCP$dCDX$dBWX$dCUT$dUKMGB$dVVC$dCOO$dYUS$dBDX$dNLM$dZLM$dIG#$dEEK$dVP@
042 $apcc
050 00 $aHV1568$b.B64 2012
060 00 $a2013 B-140
060 10 $aHV 1568
082 00 $a305.9/08$223
100 1 $aBogdan, Robert.
245 10 $aPicturing disability :$bbeggar, freak, citizen, and other photographic rhetoric /$cRobert Bogdan, with Martin Elks and James A. Knoll.
250 $a1st ed.
260 $aSyracuse, N.Y. :$bSyracuse University Press,$cc2012.
300 $axv, 198 p. :$bill. ;$c29 cm.
490 1 $aCritical perspectives on disability
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Picturing disability -- Freak portraits: sideshow souvenirs -- Begging cards: solicitation with photographs -- Charity: the poster child and others -- Asylums: postcards, public relations, and muckraking -- Clinical photographs: "feeblemindedness" in eugenics texts / Martin Elks -- Advertising photographs: people with disabilities selling products -- Movie stills: monsters, revenge, and pity -- Art for art's sake: people with disabilities in art photography / James A. Knoll -- Citizen portraits: photos as personal keepsakes -- Conclusion: Just a beginning.
520 $a"In Picturing Disability Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Rather than focus on the subjects, Bogdan turns his gaze on the people behind the camera. He examines the historic and cultural environment of the photographs to decipher the relationship between the images and the perspectives of the picture makers. In analyzing the visual rhetoric of these photographs, Bogdan identifies the wide variety of genres, from sideshow souvenirs to clinical photographs. Ranging from the 1860s, when photographs first became readily available, to the 1970s, when the disability rights movement became a force for significant change, Bogdan chronicles the evolution of disability image creation. Picturing Disability takes the reader beyond judging images as positive or slanderous to reveal how particular contexts generate specific emotions and lasting depictions." -- Book jacket.
650 0 $aPeople with disabilities$vPortraits.
650 0 $aPeople with disabilities$xHistory.
650 0 $aSociology of disability.
650 12 $aDisabled Persons$xhistory.
655 2 $aPhotograph.
650 22 $aSocial Environment.
700 1 $aElks, Martin.
700 1 $aKnoll, James A.
830 0 $aCritical perspectives on disability.
852 00 $bfaxlc$hHV1568$i.B64 2012
852 00 $bbar,over$hHV1568$i.B64 2012
852 00 $boff,hsl$hHV1568$i.B64 2012 Q