| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:32034609:1414 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:32034609:1414?format=raw |
LEADER: 01414pam a2200373 i 4500
001 10122742
005 20130219173906.0
008 120416t20132013nyuaf b 001 0 eng
010 $a 2012015635
020 $a9780199913985
020 $a0199913986
024 $a40021712257
035 $a(OCoLC)ocn789149974
035 $a(OCoLC)789149974
035 $a(NNC)10122742
040 $aDLC$erda$beng$cDLC$dYDXCP$dOCLCO$dERASA$dNhCcYBP
042 $apcc
050 00 $aN72.S6$bD499 2013
082 00 $a701/.03$223
100 1 $aDiepeveen, Leonard,$d1959-
245 10 $aArtworld prestige :$barguing cultural value /$cTimothy Van Laar and Leonard Diepeveen.
260 $aNew York :$bOxford University Press,$c[2013], ©2013.
300 $ax, 206 pages, [16] pages of plates :$billustrations (some color) ;$c22 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aWhen good art goes bad: a theory of prestige -- Eclectic practices: abstraction, figuration, and pluralism -- Cultural obituaries and the status of painting -- Signs of pleasure -- Self-consciousness and authenticity.
650 0 $aArt and society.
650 0 $aPrestige.
650 0 $aGroup values (Sociology)
700 1 $aVan Laar, Timothy.
852 00 $boff,fax$hN72.S6$iD499 2013
852 00 $bbar$hN72.S6$iD499 2013