| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:40547420:1501 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:40547420:1501?format=raw |
LEADER: 01501cam a2200349Ia 4500
001 10141382
005 20130318124924.0
008 120827s2012 enka b 101 0 eng d
016 7 $a016220773$2Uk
020 $a9781908590435
020 $a1908590432
035 $a(OCoLC)811970449
035 $a(POOF)12314
035 $a(NNC)10141382
040 $aUKMGB$beng$cCNNGC$dOCLCO$dQGK$dYDXCP$dUKMGB$dOSU
041 0 $aeng$bfre
050 14 $aN8243.S576$bS53 2012
245 04 $aThe slave in European art :$bfrom Renaissance trophy to abolitionist emblem /$cedited by Elizabeth McGrath and Jean Michel Massing.
246 30 $aFrom Renaissance trophy to abolitionist emblem
260 $aLondon :$bWarburg Institute ;$aTurin :$bNino Aragno Editore,$c2012.
300 $ax, 386 p. :$bill. (some col.) ;$c25 cm.
490 1 $aWarburg Institute Colloquia ;$v20
500 $a"This volume had its origin in a conference held at the Warburg Institute in 2007, the bicentenary of the ending of the slave trade by Britain. [The conference was] entitled "The Iconography of Slavery in Europe, 1500-1800..." --Preface.
504 $aIncludes bibliographical reference and index.
546 $aText in English with some text in French.
650 0 $aSlavery in art$vCongresses.
650 0 $aArt, European$vCongresses.
700 1 $aMcGrath, Elizabeth.
700 1 $aMassing, Jean Michel.
710 2 $aWarburg Institute.
830 0 $aWarburg Institute colloquia ;$v20.
852 00 $bfaxlc$hN8243.S576$iS53 2012g