| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:52780239:1764 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:52780239:1764?format=raw |
LEADER: 01764pam a2200325 a 4500
001 10168508
005 20130318131451.0
008 120802s2013 nyu b 001 0 eng
010 $a 2012030879
020 $a9780415521444 (hardcover : alk. paper)
020 $a0415521440 (hardcover : alk. paper)
024 $a40021882294
035 $a(OCoLC)758394567
035 $a(OCoLC)ocn758394567
035 $a(NNC)10168508
040 $aDLC$beng$cDLC$dBTCTA$dOCLCO$dYDXCP$dNhCcYBP
042 $apcc
050 00 $aPN1996$b.N25 2013
082 00 $a808.2/3$223
100 1 $aNannicelli, Ted.
245 12 $aA philosophy of the screenplay /$cTed Nannicelli.
260 $aNew York :$bRoutledge,$c2013.
300 $axiii, 270 p. ;$c24 cm.
490 1 $aRoutledge studies in contemporary philosophy ;$v49
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature.
650 0 $aMotion picture authorship.
650 0 $aMotion picture plays$xHistory and criticism.
830 0 $aRoutledge studies in contemporary philosophy ;$v49.
852 00 $bglx$hPN1996$i.N25 2013