| Record ID | marc_columbia/Columbia-extract-20221130-021.mrc:52811803:1770 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-021.mrc:52811803:1770?format=raw |
LEADER: 01770pam a2200385 a 4500
001 10168527
005 20130318131456.0
008 120319s2013 njua b 001 0 eng
010 $a 2012009920
020 $a9780813554495 (hardcover : alk. paper)
020 $a0813554497 (hardcover : alk. paper)
020 $a9780813554488 (pbk. : alk. paper)
020 $a0813554489 (pbk. : alk. paper)
020 $a9780813554501 (e-book)
020 $a0813554500 (e-book)
024 $a40021851066
035 $a(OCoLC)781432327
035 $a(OCoLC)ocn781432327
035 $a(NNC)10168527
040 $aDLC$beng$cDLC$dBTCTA$dERASA$dOCLCO$dBDX$dYDXCP$dNhCcYBP
042 $apcc
050 00 $aPN1996$b.F4553 2013
082 00 $a791.43/657$223
100 1 $aFischer, Lucy.
245 10 $aBody double :$bthe author incarnate in the cinema /$cLucy Fischer.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$cc2013.
300 $aix, 273 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema.
650 0 $aMotion picture authorship.
650 0 $aAuteur theory (Motion pictures)
650 0 $aMotion pictures and literature.
650 0 $aAuthors in motion pictures.
852 00 $bglx$hPN1996$i.F4553 2013
852 00 $bbar$hPN1996$i.F4553 2013