MARC Record from marc_columbia

LEADER: 06119cam a2200445Ia 4500
001 10174255
005 20140121164937.0
008 121021s2012 be a b 000 0 eng d
020 $a9782503545967
020 $a2503545963
029 1 $aAU@$b000050681888
035 $a(OCoLC)ocn814373674
035 $a(OCoLC)814373674
035 $a(NNC)10174255
040 $aERASA$cERASA$dOCLCQ$dYDXCP$dBTCTA$dOHX$dCDX$dSNN$dIXA$dBWX$dQGK$dPIT$dIUL$dVTS
043 $ae-ne---
050 4 $aNX554
072 7 $aND$2lcco
082 04 $a700-9492
245 00 $aArt after iconoclasm :$bpainting in the Netherlands between 1566 and 1585 /$cedited by Koenraad Jonckheere & Ruben Suykerbuyk.
260 $aTurnhout :$bBrepols$c2012.
300 $a130 p. :$bill. ;$c30 cm.
504 $aIncludes bibliographical references (p. 125-130)
505 0 $aRepetition and the genesis of meaning : an introductory note / Koenraad Jonckheere -- Art after iconoclasm. Painting in the Netherlands between 1566 and 1585 / David Freedberg -- Smashing images. The Antwerp nude between 1563 and 1585 / Karolien de Clippel -- Michiel Coxcie and the revitalization of religious painting in the Southern Netherlands after 1566 / Anne T. Woollett -- Between hope and despair. The state of the Antwerp art market, 1566-1585 / Filip Vermeylen -- Idols and ideals in the rise of Netherlandish art theory / Thijs Weststeijn.
500 $aIllustrations. Madonna with the cherries / Joos van Cleve -- Pieta / Quinten Massys -- The lamentation of Christ / Willem Key -- Hay wagon / Gillis Mostaert and workshop -- Mary Magdalene / Gillis Coignet -- Cain and Abel / Michiel Coxcie -- Cain and Abel / Adriaen Thomasz -- Saint Jerome in his study / Adriaen Thomasz -- Saint Luke the Evangelist / Michiel Coxcie -- St George and the dragon / Gillis Coignet -- The destruction of Bel, from The history of Bel and the dragon, 1565 / Cornelis Cort after Maarten van Heemskerck -- Nebuchadnezzar casting the children into the fiery furnace / Adriaen Thomasz -- Dido commands the building of Carthage / Gillis Coignet -- Triptych of Viglius d'Aytta, 1571 / Frans Pourbus -- Preaching of John the Baptist / Frans Pourbus -- Last supper [outer wings of the Gillis de Smidt-triptych], 1575 / Adriaen Thomasz -- Inspiration of St Matthew / Frans I Pourbus -- Furriers' altarpiece (The incredulity of St Thomas), 1575 / Marten de Vos -- Saint Paul on Malta / Marten de Vos -- Saint Paul and Barnabas in Lystra / Marten de Vos -- Moses and the tablets of the law [Panhuys-panel] / Marten de Vos -- Mars and Venus in Vulcans forge, c. 1550-1555 / Willem Key -- Flayed ox, 1566 / Maerten van Cleve -- Fall of the rebel angels, 1554 / Frans Floris -- Neptune and Amphitrite, 1516 / Jan Gossaert -- Last judgment, 1560 / Crispijn Van den Broeck -- Last judgment, 1571 / Crispijn Van den Broeck -- Last judgment / Jacob de Backer -- Last judgment, 1566 / Frans Floris -- Last judgment, 1565 / Frans Floris -- Last judgment, 1570 / Marten de Vos -- Nativity, 1577 / Marten de Vos -- The rape of Europe / Marten de Vos -- Suzanna and the elders, 1567 / Jan Massijs -- 'Hercules' choice / Marten de Vos -- Luna, 1585 / After Marten de Vos -- Venus, 1585 / After Marten de Vos -- Martyrdom of Saint Sebastian, 1575 / Michiel Coxcie -- Episode from the martyrdom of St. George : trial by salt, c. 1575-74 / Michiel Coxcie -- Episode from the martyrdom of St. George : beheading of St. George, c. 1575-74 / Michiel Coxcie -- Knights of Christ (copy after the Ghent altarpiece), 1557-59 / Michael Coxcie (after the van Eyck brothers) -- Descent from the cross, c. 1430-35 / Rogier van der Weyden -- Descent from the cross, ca. 1567 / Michael Coxcie (after Rogier van der Weyden) -- St. George, c. 1574-74 / Michiel Coxcie -- St. Margaret, c. 1574-74 / Michiel Coxcie -- Triptych with the martyrdom of St. George (center panel), 1588 / Michiel Coxcie -- The iconoclasm in Antwerp, 1566 / Frans Hogenberg -- The Spanish fury in Antwerp, 1577 / Frans Hogenberg -- The German exodus from Antwerp, 1583 / Frans Hogenberg -- The destruction of Bel, from The history of Bel and the dragon, 1565 / Cornelis Cort after Maarten van Heemskerck -- The martyrdom of Saint Sebastian / Michiel Coxcie -- The painter converted to virtue, engraving in Gerbrand Bredero, Het boertigh, amoreus, in aendachtigh groot lied-boeck, 1622 / Jan van de Velde -- The idolatry of King Solomon, c. 1636 / Willem de Poorter -- "Idololatria. Afgoderye," engraving in Cesare Ripa, Iconologia of uytbeeldinghen des verstants, 1644.
520 8 $aRather than as a destructive moment in history, the Iconoclasm of 1566 in the Netherlands was the catalyst for a re-evaluation of (religious) art in the Low Countries. It forced painters to question the very nature of the artistic tradition they grew up in. Is it merely a coincidence that the art markets changed so swiftly after the Fall of Antwerp, that art theory in the Low Countries originated in the wake of Iconoclasm (De Heere, Lampsonius, ...), or that painting in the second half of the sixteenth century saw the impetus of new styles, genres, specialisations (Aertsen, De Beuckelaer, ...)? Iconoclasm forced people to think about art. The generation of painters active in the two decades between the 'Beeldenstorm' and the fall of Antwerp did this by questioning the decorum of the work of their famous predecessors.
650 0 $aPainting$zNetherlands$y16th century.
650 0 $aPainting$zNetherlands$y16th century$xThemes, motives.
650 0 $aPainting, Netherlandish$y16th century.
650 0 $aChristian art and symbolism$zNetherlands$yRenaissance, 1450-1600.
650 0 $aIconoclasm$zNetherlands$xInfluence$y16th century.
700 1 $aJonckheere, Koenraad.$4edt$4ctb
700 1 $aSuykerbuyk, Ruben.$4edt$4ctb
700 1 $aFreedberg, David.$4ctb
700 1 $aClippel, Karolien de.$4ctb
700 1 $aWoollett, Anne T.$4ctb
700 1 $aVermeylen, Filip.$4ctb
700 1 $aWeststeijn, Thijs.$4ctb
856 4 $3Inhaltsverzeichnis$uhttp://swbplus.bsz-bw.de/bsz372261361inh.htm$v20130319104335
852 00 $bfaxlc$hND645$i.A78 2012g