MARC Record from marc_columbia

LEADER: 01653pam a2200349 a 4500
001 10227717
005 20130520175523.0
008 120607s2013 hiua bq s001 0 eng c
010 $a 2012023411
019 $a786447095
020 $a9780824836078 (cloth : alk. paper)
020 $a0824836073 (cloth : alk. paper)
024 $a40022092448
035 $a(OCoLC)ocn798132405
035 $a(OCoLC)798132405$z(OCoLC)786447095
035 $a(NNC)10227717
040 $aHU/DLC$beng$cHUH$dDLC$dOCLCO$dBTCTA$dBDX$dERASA$dYDXCP$dNhCcYBP
042 $apcc
043 $aa-cc---
050 00 $aPN1993.5.C4$bW278 2013
082 00 $a791.430951$223
100 1 $aWang, Yiman,$d1972-
245 10 $aRemaking Chinese cinema :$bthrough the prism of Shanghai, Hong Kong, and Hollywood /$cYiman Wang.
260 $aHonolulu :$bUniversity of Hawaiʻi Press,$cc2013.
300 $axiii, 217 p. :$bill. ;$c24 cm.
490 1 $aCritical interventions
505 0 $aThe goddess : tracking the "unknown woman" from Hollywood through Shanghai to Hong Kong -- Family resemblance, class conflicts : re-version of the sisterhood singsong drama -- The love parade goes on : western-costume Cantonese opera film and the foreignizing remake -- Mr. Phantom goes to the East : history and its afterlife from Hollywood to Shanghai and Hong Kong -- Conclusion : Mr. Undercover goes global.
504 $aIncludes bibliographical references, filmography and index.
650 0 $aMotion pictures$zChina$xHistory$y20th century.
650 0 $aFilm remakes$zChina$xHistory and criticism.
830 0 $aCritical interventions (Honolulu, Hawaii)
852 00 $beal$hPN1993.5.C4$iW278 2013