MARC Record from marc_columbia

LEADER: 01814cam a2200397 i 4500
001 10259666
005 20130722151314.0
008 130410s2013 ne a b 001 0 eng c
020 $a9789089644718
020 $a9089644717
020 $z9789048517763 (pdf)
020 $z9048517761 (pdf)
020 $z9789048517770 (ePub)
020 $z904851777X (ePub)
035 $a(OCoLC)ocn837541860
035 $a(OCoLC)837541860
035 $a(NNC)10259666
040 $aQGK$beng$erda$cQGK$dYDXCP$dYNK$dZCU
042 $apcc
050 4 $aPN1995.25$b.B35 2013
100 1 $aBalsom, Erika,$eauthor.
245 10 $aExhibiting cinema in contemporary art /$cErika Balsom.
264 1 $aAmsterdam :$bAmsterdam University Press,$c[2013]
300 $a256 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFilm culture in transition,$x2213-7041
504 $aIncludes bibliographical references (pages [227]-239) and index.
520 $aExplores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.
650 0 $aArt and motion pictures.
650 0 $aArt in motion pictures.
650 0 $aMotion pictures and the arts.
650 0 $aMotion picture industry$xTechnological innovations.
830 0 $aFilm culture in transition.$x2213-7041
852 00 $bglx$hPN1995.25$i.B35 2013