MARC Record from marc_columbia

LEADER: 02222cam a2200361Ii 4500
001 10736333
005 20140617113206.0
008 140408s2014 laua b 000 0 eng d
010 $a 2013949519
016 7 $a016654372$2Uk
020 $a9780615878300
020 $a061587830X
035 $a(OCoLC)ocn863077869
035 $a(OCoLC)863077869
035 $a(NNC)10736333
040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dUKMGB$dUOK$dCLE
050 4 $aN6538.N5$bV56 2014
082 04 $a704.039607307476318$223
245 04 $aThe visual blues /$cedited by Natalie A. Mault.
264 1 $aBaton Rouge :$bLSU Museum Of Art,$c2014.
300 $a87 pages :$bcolor illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 84-86).
520 $aThe Visual Blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The Visual Blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The Visual Blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance.
650 0 $aHarlem Renaissance$vExhibitions.
650 0 $aAfrican American art$y20th century$vExhibitions.
650 0 $aMusic$xAfrican American influences$vExhibitions.
700 1 $aMault, Natalie A.,$eeditor.
710 2 $aLouisiana State University (Baton Rouge, La.).$bMuseum of Art,$epublisher.
852 00 $bfaxlc$hN6538.N5$iV56 2014g