MARC Record from marc_columbia

LEADER: 02263cam a2200421Ii 4500
001 10744477
005 20140617113630.0
008 140422s2014 nyua bc 000 0 eng d
010 $a 2013944086
016 7 $a016472552$2Uk
019 $a834963177
020 $a9780847841141
020 $a0847841146
035 $a(OCoLC)ocn859645490
035 $a(OCoLC)859645490$z(OCoLC)834963177
035 $a(NNC)10744477
040 $aERASA$beng$erda$cERASA$dYDXCP$dBDX$dBTCTA$dUKMGB$dTOH$dOCLCO$dCAM$dNNC
043 $as-cl---
050 4 $aN6868.5.156
082 04 $a709.0407
100 1 $aRabinowitz, Cay Sophie,$eauthor.
245 10 $aIván Navarro /$cCay Sophie Rabinowitz, Hilarie M. Sheets.
264 1 $aNew York, NY :$bSkira Rizzoli Publications, Inc.,$c2014.
300 $a191 pages :$bcolor illustrations ;$c29 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $a"Paul Kasmin Gallery."
504 $aIncludes bibliographical references (pages 123-124).
520 8 $aIván Navarro is known internationally for his sociopolitically charged sculptures of neon and fluorescent light. The sculptures and installations of Iván Navarro grow out of the legacy of minimalism and modern design, but they subvert the cool detachment of their forms with pointed sociopolitical critique. Born in Santiago, Chile, in 1972, Navarro grew up under Pinochet's brutal military dictatorship. In order to better understand this dark history, Navarro uses light - a symbol of hope and truth - as his medium, constructing chairs, ladders, doors, and even shopping carts out of neon and fluorescent lights. With their ambient glow and live current, the works are equally seductive and unnerving. In this first monograph on the artist, Cay Sophie Rabinowitz considers the personal stories underlying Navarro's sleek, industrially produced works.
600 10 $aNavarro, Iván,$d1972-$vCatalogs.
600 10 $aNavarro, Iván,$d1972-$vInterviews.
650 0 $aLight art.
650 0 $aSculptors$zChile.
700 1 $aSheets, Hilarie M.,$eauthor,$einterviewer.
700 1 $aNavarro, Iván,$d1972-,$eartist,$einterviewee.
710 2 $aPaul Kasmin Gallery.
852 00 $bfaxlc$hN6669.N38$iA4 2014g