| Record ID | marc_columbia/Columbia-extract-20221130-022.mrc:12253412:1692 |
| Source | marc_columbia |
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LEADER: 01692cam a2200265 4500
001 10519711
005 20140219115252.0
008 130124s2013 ne 000 0 eng d
020 $a9789461300867
020 $a9461300867
029 1 $aDEBSZ$b378798499
035 $a(OCoLC)ocn825746269
035 $a(OCoLC)825746269
035 $a(NNC)10519711
040 $aERASA$cERASA$dYDXCP$dBTCTA$dEYM$dOCLCO$dNNC
050 4 $aNA
082 04 $a720
100 1 $aMaes, Ives.
245 14 $aThe future of yesterday /$cIves Maes.
260 $aAmsterdam :$bLudion Amsterdam,$c2013.
300 $a220 p. :$bill. ;$c29 cm.
520 8 $aIn this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition more than a century and a half ago. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned or torn from their original context. In this comprehensive book, Ludion sets Maes's photographs alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai, 2010. The images are accompanied by essays from Anna Jackson (Victoria & Albert Museum), Elena Filipovic (WIELS) and Catherine L. Futter (Nelson-Atkins Museum of Art) on the history of world fairs, the role of photography and the sculptural character of Ives Maes's photographic work. 0Exhibition: Nelson-Atkins Museum of Art, Kansas City, USA (28.6.-28.10.2012).
600 10 $aMaes, Ives.
650 0 $aArchitectural photography.
852 00 $boff,ave$hTR655$i.M34 2013g