| Record ID | marc_columbia/Columbia-extract-20221130-022.mrc:149046511:964 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:149046511:964?format=raw |
LEADER: 00964cam a2200277 a 4500
001 10786474
005 20170723100400.0
008 131205s2014 enka b 001 0 eng d
020 $a9780230343283 (hardback)
020 $a0230343287 (hardback)
024 $a40023553314
035 $a(OCoLC)ocn864749976
035 $a(OCoLC)864749976
035 $a(NNC)10786474
040 $aYDXCP$cYDXCP$dBDX$dBTCTA$dCDX$dERASA$dLTSCA$dNhCcYBP
050 4 $aPN1996$b.M55 2014
082 04 $a808.2/3$223
100 1 $aMillard, Kathryn,$d1956-
245 10 $aScreenwriting in a digital era /$cKathryn Millard.
260 $aHoundmills, Basingstoke, Hampshire :$bPalgrave Macmillan,$c2014.
300 $aviii, 232 p. :$bill. ;$c23 cm.
490 1 $aPalgrave studies in screenwriting
504 $aIncludes bibliographical references (p. [212]-223) and index.
650 0 $aMotion picture authorship.
830 0 $aPalgrave studies in screenwriting.
852 00 $bglx$hPN1996$i.M55 2014