| Record ID | marc_columbia/Columbia-extract-20221130-022.mrc:201428418:1505 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-022.mrc:201428418:1505?format=raw |
LEADER: 01505cam a2200349Ia 4500
001 10881887
005 20140922160044.0
008 140710s2014 it a b 000 0 eng d
020 $a9788885311787$z9878885311784
020 $a8885311784
029 1 $aZWZ$b179757210
035 $a(OCoLC)ocn883311199
035 $a(OCoLC)883311199
035 $a(NNC)10881887
040 $aGUA$cGUA$dGUA$dC3L
041 1 $aeng$bita$heng
043 $ae-it---
050 14 $aNB615$b.C38 2014
082 14 $a730$214
100 1 $aCatterson, Lynn.
245 10 $aFinding, fixing, faking, making :$bsupplying sculpture in '400 Florence /$cLynn Catterson.
246 10 $aSupplying sculpture in '400 Florence
250 $a1st ed.
260 $aTodi :$bEdiart,$c2014.
300 $a120 p. :$bill. (some col.) ;$c24 cm.
500 $aIn English, summary in Italian.
504 $aIncludes bibliographical references (p. 108-199).
505 0 $aSculpture vs. painting: the economic paragone and its consequences -- The challenge of correct optical refinements -- Ghiberti and the early fifteenth-century antiquities market -- Donatello and antiquities, from Florence to Rome -- Drawings for the antique -- Re-carving antiquities informs contemporary production -- Finding, selling and making antiques, or ars longa vita brevis.
650 0 $aSculpture, Italian$zItaly$zFlorence$y15th century.
650 0 $aSculpture, Renaissance$zItaly$zFlorence.
852 00 $bfaxlc$hNB615$i.C38 2014g
852 00 $bfaxlc$hNB615$i.C38 2014g