MARC Record from marc_columbia

LEADER: 03617cam a2200565 i 4500
001 10919173
005 20141124151025.0
008 140426t20142014nyua bc 001 0 eng c
010 $a 2013950852
020 $a9780500544303
020 $a0500544301
035 $a(OCoLC)ocn878235918
035 $a(OCoLC)878235918
035 $a(NNC)10919173
040 $aEYT$beng$erda$cEYT$dAUM$dNDD$dCAM$dVMC$dOCLCA$dOSU$dOCP$dOCLCO$dOCLCA$dCAD$dDGU$dOCLCF$dIQU$dOCLCO$dVP@
041 1 $aeng$hfre
042 $apcc
043 $ae-fr---
050 4 $aTR647$b.C3613 2013
082 4 $a779.092 fC327Zc5 2014
100 1 $aCartier-Bresson, Henri,$d1908-2004,$ephotographer.
240 10 $aHenri Cartier-Bresson.$lEnglish
245 10 $aHenri Cartier-Bresson :$bhere and now /$cClément Chéroux [author, exhibition curator, general editor] ; [translated from the French by David H. Wilson and Ruth Sharman]
264 1 $aNew York, New York :$bThames & Hudson,$c2014.
300 $a399 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a'First French edition, copyright Editions du Centre Pompidou, Paris, November 2013"--Collophon.
500 $a"Published on the occasion of the exhibition at the Centre Pompidou, Paris, Gallery 1, 12 February to 9 June 9 2014"--Collophon.
504 $aIncludes bibliographical references (pages 388-391) and index.
505 0 $aHard Pleasure -- Rising Signs -- Preamble -- In the Style of Atget -- Impressions of Africa -- New Vision -- Golden Section -- Attraction Of Surrealism -- Fixed-Explosive -- Veiled-Erotic -- Magic-Circumstantial -- Salt of Distortion -- Daydreamers -- In the Shadow of the Brown House -- Political Commitment -- Face of Poverty -- Watching the King Go By -- Discovery of Free Time -- Reporting for the Communist Press -- Film And War -- Working for Jean Renoir -- Filming the War in Spain -- Last Days of the Reich -- Le Retour -- Global Realignment -- Choice Of Photo Reportage -- Gandhi's Funeral, 1948 -- Last Days of the Kuomintang, 1948 -- Russia after the Death of Stalin, 1954 -- Colour, a 'Professional Necessity', 1950-68 -- Commissioned Portraits, 1944-61 -- 'Six Jours de Paris', 1957 -- Cuba after the Missile Crisis, 1963 -- Vive la France, 1968-70 -- Visual Anthropology -- Dancing in the Cities -- Man and Machine -- Icons of Power -- Consumer Society -- Crowd Phenomenon -- Shooting Photographs -- After Photography -- Time of Contemplation -- Starting to Draw Again.
600 10 $aCartier-Bresson, Henri,$d1908-2004$vExhibitions.
600 10 $aCartier-Bresson, Henri,$d1908-2004$xCriticism and interpretation.
650 0 $aPhotographers$zFrance$y20th century.
650 0 $aPhotography, Artistic$vExhibitions.
600 17 $aCartier-Bresson, Henri,$d1908-2004.$2fast$0(OCoLC)fst00019594
650 7 $aPhotographers.$2fast$0(OCoLC)fst01061605
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1900 - 1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aChéroux, Clément,$d1970-$eauthor,$ecurator,$eeditor.
700 1 $aWilson, David Henry,$d1937-$etranslator.
700 1 $aSharman, Ruth Verity,$etranslator.
710 2 $aCentre Georges Pompidou.
710 2 $aFundación Mapfre.$bInstituto de Cultura.
710 2 $aCentre Georges Pompidou,$ehost institution.
852 00 $bfaxlc$hTR647$i.C3613 2013g