MARC Record from marc_columbia

LEADER: 02725cam a2200361Mi 4500
001 10994744
005 20141124160616.0
008 140519s2012 ag a 000 0 spa d
020 $a9789871172900
020 $a9871172907
035 $a(OCoLC)ocn881856358
035 $a(OCoLC)881856358
035 $a(NNC)10994744
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCQ$dOCLCO
050 14 $aND339.A85$bA4 2012
100 1 $aAsis, Antonio,$d1932-$eartist.
245 13 $aUn universo vibrante /$cAntonio Asís ; [textos, Diana B. Wechsler [and others]].
250 $aPrimera edición.
264 1 $aCaseros [Argentina] :$bUniversidad Nacional de Tres de Febrero,$c2012.
300 $a187 pages :$billustrations (some color) ;$c30 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aLibros de arte Muntref/ Eduntref
500 $aCatalog of an exhibition held Mar. 22-June 10, 2012, at Museo de la Universidad de Tres de Febrero (Caseros, Argentina).
505 8 $aPresentación / Anibal Y. Jozami, Rector de la Universidad Nacional de Tres de Febrero -- El Universo de Asis / Diana B. Wechsler -- Antonio Asis en la Trama Parisina / Cristina Rossi -- Cronología Artístico-Biográfica -- Apéndice Documental.
520 $aCatalog of Antonio Asis' (b. Argentina 1932), a "continuation of concrete proposals, is inscribed within the tradition of abstract art and displays his work alongside other contemporary artists that as himself, have looked for -among other things- to move the aesthetic irregularities of geometry, and thus disturb the site of the viewer. Graduated from the Escuela Nacional de Bellas Artes de Buenos Aires (Argentina), he attended since his formative years the emergence and controversy of the Movement of Concrete Art in Argentina. As a disciple of Hector Cartier, the artist capitalized this concrete experience, incorporated the resources of the theory of vision and the exploration of the possibilities of color and shapes, understood as part of his sensitive knowledge. Space and time are two dimensions that are the basis of Asis work, and somehow construct his visual universe. To see one of his works involves playing with it, move, travel in space for a few seconds. Perhaps this will allow to slightly feel the vibrations caused by the superimposition of frames, those he paints and those from the metal grids" (Our translation) --Verso Cover.
546 $aIn Spanish.
600 10 $aAsis, Antonio,$d1932-$vExhibitions.
700 1 $aWeschler, Diana B.
710 2 $aUniversidad Nacional de Tres de Febrero.$bMuseo.
830 0 $aLibros de arte Muntref/ Eduntref.
852 00 $bfaxlc$hND339.A85$iA4 2012g