MARC Record from marc_columbia

LEADER: 04255cam a22005414a 4500
001 10995836
005 20151221135016.0
006 m o d
007 cr ||| ||a||
008 030117s2003 nyu obc 001 0 eng d
010 $a2002191234
020 $a1588390330 (hc)
020 $a1588390349 (pbk.)
020 $a0300098782 (Yale Univ. Press)
035 $a(MZA)B13315808
035 $a(OCoLC)895135744
035 $a(OCoLC)ocn895135744
035 $a(NNC)10995836
040 $aDLC$cDLC$dNNMM
042 $apcc
050 00 $aNC257.L4$bA4 2003
082 00 $a741.945$221
100 0 $aLeonardo,$cda Vinci,$d1452-1519.
245 10 $aLeonardo da Vinci, master draftsman /$cedited by Carmen C. Bambach ; with contributions by Carmen C. Bambach, Alessandro Cecchi, Claire farago, Varena Forcione, Martin Kemp, Anne-Marie Logan, Pietro C. Marani, Carlo Pedretti, Carlo Vecce, Francoise Viatte and Linda Wolk-Simon; with the assistance of Rachel Stern and Alison Manges.
260 $aNew York :$bThe Metropolitan Museum of Art ;$aNew Haven :$bYale University Press,$cc2003.
300 $axiv, 786 p. :$bill. (some col.) ;$c29 cm.
500 $aCatalog of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 22-Mar. 30, 2003.
504 $aIncludes bibliographical references (p. 723-767) and index.
505 20 $tIntroduction to Leonardo and his drawings /$rCarmen C. Bambach --$tLeonardo, left-handed draftsman and writer /$rCarmen C. Bambach --$tWord and image in Leonardo's writings /$rCarlo Vecce --$tCritical fortune of Leonardo's drawings /$rCarlo Pedretti --$tEarly drapery studies /$rFrançois Viatte --$tNew light on Leonardo's Florentine patrons /$rAlessandro Cecchi --$tDrawing the boundaries /$rMartin Kemp --$tLeonardo's drawings in Milan and their influence on the graphic work of Milanese artists /$rPietro C. Marani --$tCodex Leicester /$rClaire Farago --$tLeonardo's grotesques: originals and copies /$rVarena Forcione --$tDocumented chronology of Leonardo's life and work /$rCarmen C. Bambach.
500 $aExhibition title: Leonardo da Vinci, master draftsman.
520 $aLeonardo da Vinci (Italian [Florentine], 1452{u2013}1519) stands as a supreme icon in Western consciousness{u2014}the very embodiment of the universal Renaissance genius. With much of his work lost or unfinished, the key to his legacy can be found in the enormous body of his extant drawings and manuscript notes. This publication offers a unified and fascinating portrait of Leonardo as a draftsman, integrating his diverse roles as an artist, scientist, inventor, theorist, and teacher. Essays written by the world's leading Leonardo scholars investigate the significant implications of Leonardo's left-handedness both for the connoisseurship of his drawings and for a reconstruction of his artistic personality; the relationship between word and image in Leonardo's drawings and manuscripts; problems of attribution and authenticity in the critical evaluation of Leonardo's graphic oeuvre; Leonardo's early drapery studies; the role of the artist's father; and the special role of drawn frames or boundaries in Leonardo's design process. Detailed descriptions of 138 individual works survey the wide variety of drawing types that Leonardo used, and also include a small group of works by artists critical to his artistic development in Florence and to his multifaceted activity in Milan. A chronological framework is also provided to shed light on his extraordinary life and career. -- Metropolitan Museum of Art website.
600 00 $aLeonardo,$cda Vinci,$d1452-1519$vExhibitions.
650 0 $aDrawing, Renaissance$vExhibitions.
700 1 $aBambach, Carmen.
700 1 $aStern, Rachel.
700 1 $aManges, Alison.
700 1 $aVecce, Carlo.
700 1 $aPedretti, Carlo.
700 1 $aCecchi, Alessandro.
700 1 $aMarani, Pietro C.
700 1 $aForcione, Varena.
700 1 $aViatte, Françoise.
700 1 $aFarago, Claire J.
700 1 $aWolk-Simon, Linda.
700 1 $aKemp, Martin.
710 2 $aMetropolitan Museum of Art (New York, N.Y.)
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio10995836$zFull text from MetPublications
852 8 $blweb$hEBOOKS